I Am Leafy Speafing (I Am Leafy) SPEE-fihng) …mediad.publicbroadcasting.net/p/ipr/files/I.pdf · I am leafy speafing I Am Leafy Speafing ... (Bell Chorus from the opera Pagliacci - [PDF Document] (2024)

I am leafy speafing� I Am Leafy Speafing � (I Am Leafy) SPEE-fihng) � (composition byStephen Albert [STEE-vunn AL-burt])

I brasil � I-Brasîl � ee-bruh-ZEEL � (poem by Fiona Macleod [fihO-nah m’KL����WD])

I capuleti e i montecchi � I Capuleti e i Montecchi � ee kah-poo-LAY-tee ay ee mohn-TAYK-kee � (The Capulets [KA-p’yuh-luttss] and the Montagues [MAHN-tuh-gh’yooz]) �(an opera, with music by Vincenzo Bellini [veen-CHAYN-tso bayl-LEE-nee] and libretto byFelice Romani [fay-LEE-chay ro-MAH-nee])

I ching � I-Ching � YEEEE-JEENG � (a classic Chinese book)

I crisantemi � I Crisantemi � ee kree-zahn-TAY-mee � (composition by Giacomo Puccini[JAH-ko-mo poo-CHEE-nee])

I el vell cavall � ee ell VAYL kah-VAHLY’ � (And the Old Horse) � (an excerpt from thesuite Suburbis [soo-BÔÔR-biss] — Suburbs — by Federico Mompou [feh-theh-REE-komawm-POOO])

I gioielli della madonna� I gioielli della Madonna � ee joeeAYL-lee dayl-lah mah-DOHN-nah� (an opera, with music by Ermanno Wolf-Ferrari [ayr-MAHN-no VAWLF-fayr-RAH-ree];libretto by Enrico Golisciani [ayn-REE-ko go-lee-SHAH-nee] and Carlo Zangarini [KAR-lodzahn-gah-REE-nee])

I lombardi alla prima crociata� I Lombardi alla prima crociata � ee lohm-BAR-dee ahl-lahPREE-mah kro-CHAH-tah � (The Lombards on the First Crusade) � (an opera, with musicby Giuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Temistocle Solera [tay-MEE-stoh-klay so-LAY-rah] after Tommaso Grossi [tohm-MAH-zo GROHSS-see]) � (the title is oftengiven as the shortened I Lombardi)

I marinai � I Marinai � ee mah-ree-NAH-ee � (The Mariners) � (excerpt from Les SoiréesMusicales [leh swah-ray mü-zih-kahl] by Gioachino Rossini [johah-KEE-no rohss-SEE-nee])

I masnadieri � I Masnadieri � ee mahss-nah-deeAY-ree � (The Bandits) � (an opera, withmusic by Giuseppe Verdi [joo-ZAY-pay VAYR-dee]; libretto by Andrea Maffei [ahn-DRAY-ahmahf-FAYEE] after Friedrich von Schiller [FREET-rihh fawn SHILL-lur])

I musici � I Musici � ee MOO-zee-chee � (string chamber orchestra) � (also a compositionby Antonio Vivaldi [ahn-TAW-neeo vee-VAHL-dee])

I penitenti al sepolchro del redentore � I penitenti al Sepolchro del Redentore � ee pay-nee-TAYN-tee ahl say-POHL-kro dayl ray-dayn-TOH-ray � (overture to the oratorio I Penitential Sepolchro del Redentore by Jan Dismas Zelenka [YAHN DYISS-mahss ZEH-lenn-kah])

I pescatori di perle � ee payss-kah-TOH-ree dee PAYR-lay � (The Pearl Fishers) � (an

opera, with music by George Bizet [zhawrzh bee-zay]; libretto by Michel Carré [mee-shell kar-ray] and Eugène Cormon [ö-zhenn kawr-maw6666])

I puritani � ee poo-ree-TAH-nee � (The Puritans) � (an opera, with music by VincenzoBellini [veen-CHAYN-tso bayl-LEE-nee] and libretto by Carlo Pepoli [KAR-lo pay-PO-lee])

I solisti veneti � I Solisti Veneti � ee so-LEE-stee vay-NAY-tee

I und mei bua � I und mei Bua � ee ôônt m���� BOO-ah � (song by Carl Millöcker [KARLMILL-lö-kur]

I vespri siciliani� ee VAY-spree see-chee-leeAH-nee � (The Sicilian Vespers) � (an opera,with music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Eugène Scribe [ö-zhennskreeb] and Charles Duveyrier [sharl dü-vay-reeay]) � (French version of the opera known asLes vepres siciliennes [leh veh-pr’ see-see-leeenn])

I vidi in terra angelici costumi � ee VEE-deen TAYR-rahn-jay-LEE-chee ko-STOO-mee �(I Beheld on Earth Angelic Grace) � (composition by Franz Liszt [FRAHNZ LISST])

I will not go to bed till i suld die � I Will Not Go to Bed Till I Suld Die � (I Will Not Go toBed Till I) Sood (Die) � (anonymous early Scottish tune) � (suld = should)

I zampognari don din don � I zampognari! ... Don, din, don! � ee dzahm-po-n’YAH-ree! ...DOHN, DEEN, DOHN! � (Bell Chorus from the opera Pagliacci [pah-leeAH-chee], librettoand music by Ruggiero Leoncavallo [rood-JAY-ro lay-ohn-kah-VAHL-lo])

Iam ver egelidos � EE-ahm vayr ay-JEH-lih-dohss � (excerpt from Sirmio, Tria CatulliCarmina [SEER-meeo TRIH-uh kuh-TOOL-lih KAR-mih-nuh], a cycle of autobiographicalpoems by Catullus [kuh-TOOL-lôôss] set to music by Carl Orff [KARL-AWRF])

Ian the proud � The Lament of Ian the Proud � (The Lament of) EE-unn (the Proud)

Iannaccone � Anthony Iannaccone � ANN-thuh-nee eeANN-nahk-ko-nee � (known also asAnthony Joseph [JO-zuff] Iannaccone)

Ibach � Johannes Adolf Ibach � yo-HAHN-nuss AHAH-dawlf EE-bahk

Ibanez � Federico Sopeña Ibáñez � fay-thay-REE-ko so-PAY-n’yah ee-VAH-n’yehth �(known also as Federico Sopeña)

Iberer � Silvia Iberer � ZILL-vihah EE-buh-rur

Ibert � Jacques Ibert � zhack ee-behr � (known also as Jacques François Antoine Ibert[zhack frah6666-swah ah6666-twahn ee-behr])

Ich atmet einen linden duft � Ich atmet' einen linden Duft � ihh AHT-mutt ����-nunn LINN-tunn DÔÔFT � (I Breathed a Tender Fragrant Scent) � (song by Gustav Mahler [GÔÔ-stahfMAHAH-lur])

Ich baue ganz auf deine starke � Ich baue ganz auf deine Stärke � ihh BAHÔÔ-uh GAHNTSSahôôf D����-nuh SHTEHR-kuh � (aria by Belmonte [bell-MAWN-tuh] from the musical play DieEntführung aus dem Serail [dee ennt-FÜ-rôông ahôôss daym zay-RAHIHL] — The AbductionFrom the Harem; music by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôssMO-tsart]; libretto by Johann Gottlieb Stephanie [YO-hahn GAWT-leep SHTEH-fah-nee]after Christoph Friedrich Bretzner [KRIH-stawf FREET-rihh BRETTSS-nur])

Ich bin der welt abhanden gekommen � Ich bin der Welt abhanden gekommen � ihh BINNdayr VELLT ahb-HAHN-tunn guh-KAWM-munn � (I have become lost to the world) �(poem by Friedrich Rückert [FREET-rihh RÜ-kert] set to music by Gustav Mahler [GÔÔ-stahfMAHAH-lur])

Ich bin des herrn � Ich bin des Herrn � ihh binn dess HEHRN � (composition by JosephGabriel Rheinberger [YOHOH-zeff GAHP-reeayl R����N-pehr-gur])

Ich bin die erste sangerin� Ich bin die erste Sängerin � ihh binn dee AYR-shtuh ZEHNG-uh-rinn � (trio from the opera Der Schauspieldirektor [dayr SHAHÔÔ-shpeel-tih-reck-tawr] —The Play Director; a one-act comedy, with music by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart] and libretto by Gottlieb Stephanie [GAWT-leep SHTEH-fah-nee])

Ich bin ein liedersanger � Ich bin ein Liedersänger � ihh bin ����n LEE-dur-zehng-ur � (songby Erich Wolfgang Korngold [{EH-rick WÔÔLF-gang KAWRN-gohld} AY-rih VAWLF-gahng KAWRN-gawlt])

Ich bin geliebt � ihh binn guh-LEEPT � (I Am Loved) � (composition by Robert Schumann[ROHOH-bert SHOO-mahn])

Ich bin in mir vergnugt � Ich bin in mir Vergnügt � ihh binn inn MEER fehr-g’NÜKT � (IAm Content) � (cantata [kunn-TAH-tuh] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn BAHK])

Ich bin vergnugt in meinem leiden� Ich bin vergnügt in meinem Leiden � ihh binn fehr-g’NÜKT inn M����-numm L����-dunn � (I Am Contented in My Sorrow) � (aria from the cantata[kunn-TAH-tuh] Ach Gott, Wie Manches Herzeleid [AHK GAWT, vee MAHN-huss HEHR-tsuh-l����t] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahnBAHK])

Ich bin vergnugt mit meinem glucke � Ich bin vergnügt mit meinem Glücke � ihh binn fehr-g’NÜKT mitt M����-numm GLÜ-kuh � (I Am Contented With My Lot) � (cantata [kunn-TAH-tuh] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn

BAHK])

Ich danke fraulein � Ich danke, Fräulein � ihh DAHNG-kuh, FROY-l����n � (duet from Act Iof the opera Arabella [ah-rah-BELL-lah]; music by Richard Strauss [RIH-hartSHTRAHÔÔSS] and libretto by Hugo von Hofmannsthal [HOO-go fawn HAWF-mahn-stahl])

Ich denke dein � ihh DEHNG-kuh d����n � (I Think of You) � (poem by Johann Wolfgang vonGoethe [YO-hahn VAWLF-gahng fawn GÖ-tuh] set to music by Robert Schumann [ROHOH-bert SHOO-mahn])

Ich esse mit freuden mein weniges brot � Ich esse mit Freuden mein weniges Brot � ihh ESS-suh mitt FROY-dunn m����n VAY-nih-guss BROHT � (With joy I eat my scanty bread) � (ariafrom the cantata [kunn-TAH-tuh] Ich bin vergnügt mit meinem Glücke [ihh binn fehr-g’NÜKT mitt M����-numm GLÜ-kuh] — I Am Content With My Lot — by Johann SebastianBach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn BAHK])

Ich fuhls � Ach, ich fühl’s � AHK, ihh FÜLSS � (excerpt from the opera Die Zauberflöte[dee TSAHÔÔ-bur-flö-tuh] — The Magic Flute; music by Wolfgang Amadeus Mozart[VAWLF-gahng ah-mah-DAY-ôôss MO-tsart] and libretto by Emanuel Schikaneder [ay-MAHAH-nooayl SHEE-kah-nay-dur])

Ich fuhls es ist verschwunden� Ach, ich fühl’s, es ist verschwunden � AHK, ihh FÜLSS, essisst fehr-SHVÔÔN-tunn � (Ah, I sense it has vanished) � (aria from the opera Die Zauberflöte[dee TSAHÔÔ-bur-flö-tuh] — The Magic Flute; music by Wolfgang Amadeus Mozart[VAWLF-gahng ah-mah-DAY-ôôss MO-tsart] and libretto by Emanuel Schikaneder [ay-MAHAH-nooayl SHEE-kah-nay-dur])

Ich ging mit lust � Ich ging mit Lust � ihh GHIHNG mitt LÔÔST � (It was my delight towalk through the greenwood) � (poem from Des Knaben Wunderhorn [dess k’NAHAH-bunnVÔÔN-tur-hawrn] — The Youth’s Magic Horn — set to music by Gustav Mahler [GÔÔ-stahfMAHAH-lur])

Ich ging mit lust durch einen grunen wald� Ich ging mit Lust durch einen grünen Wald � ihhGHIHNG mitt LÔÔST dôôrh ����-nunn GRÜ-nunn VAHLT � (It Was My Delight to WalkThrough the Greenwood) � (poem from Des Knaben Wunderhorn [dess K’NAHAH-bunnVÔÔN-tur-hawrn] — The Youth’s Magic Horn — set to music by Gustav Mahler [GÔÔ-stahfMAHAH-lur])

Ich ging zu ihm � ihh GHIHNG tsoo eem � (aria from the opera Das Wunder der Heliane[dahss VÔÔN-tur dayr hay-lihAH-nuh]; music by Erich Wolfgang Korngold [{EH-rickWÔÔLF-gang KAWRN-gohld} AY-rihh VAWLF-gahng KAWRN-gawlt]; libretto by HansMüller [HAHNSS MÜL-lur] after Hans Kaltneker [HAHNSS KAHLT-neh-kur])

Ich grolle nicht � ihh GRAW-luh nihht � (I’ll Not Complain) � (song by Charles Ives) �(poem by Heinrich Heine [H����N-rihh H����-nuh] set to music by Robert Schumann [ROHOH-bert

SHOO-mahn])

Ich hab die nacht getraumet � Ich hab’ die Nacht geträumet � ihh hahp dee NAHKT guh-TROY-mutt � (I Dreamed All Night Long) � (song by Max Reger [MAHKSS RAY-gur])

Ich hab im traum geweinet � Ich hab’ im Traum geweinet � ihh HAHP imm TRAHÔÔM guh-V����-nutt � (I Wept in My Dream) � (poem by Heinrich Heine [H����N-rihh H����-nuh] set to musicby Robert Schumann [ROHOH-bert SHOO-mahn])

Ich habe genug � ihh HAH-buh guh-NOOK � (I Have Enough) � (cantata [kunn-TAH-tuh] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahnBAHK])

Ich habe genug schlummert ein ihr matten augen � Ich habe genug — Schlummert ein, ihr mattenAugen � ihh HAH-buh guh-NOOK — SHLÔÔM-murt ����n, eer MAHT-tunn AHÔÔ-gunn �(aria from Cantata [kunn-TAH-tuh] 82, Ich habe genug — I Have Enough — by JohannSebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn BAHK])

Ich habe meine zuversicht � Ich habe meine Zuversicht � ihh HAH-buh M����-nuh TSOO-vehr-zihht � (cantata [kunn-TAH-tuh] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn BAHK])

Ich hasse die flattergeister � Ich hasse die Flattergeister � ihh HAHSS-suh dee FLAHT-tur-gh����-stur � (motet [mo-TETT] by Heinrich Schütz [H����N-rihh SHÜTSS])

Ich hebe den blick zum berg empor � Ich hebe den Blick zum Berg empor � ihh HAY-buhdayn BLICK tsoom BEHRK emm-POHR � (I Will Lift up Mine Eyes) � (song fromBiblische Lieder [BIPP-lih-shuh LEE-dur] — Biblical Songs — by Antonín Dvo�ák [AHN-taw-nyeeeen d’VAW-rshahahk])

Ich kanns nicht fassen nicht glauben � Ich kann’s nicht fassen nicht glauben � ihh kahnss nihhtFAHSS-sunn nihht GLAHÔÔ-bunn � (I Cannot Grasp It) � (song from Frauenliebe und -Leben [FRAHÔÔ-unn-lee-buh ôônt -LAY-bunn] — Woman’s Love and Life — a series ofsongs by Robert Schumann [ROHOH-bert SHOO-mahn] based upon texts by Adalbert vonChamisso [AHAH-dahl-pert fawn kah-MISS-so])

Ich lasse dich nicht� ihh LAHSS-suh dihh NIHHT � (I'll Not Let Thee Go) � (motet [mo-TETT] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahnBAHK])

Ich lasse dich nicht du segnest mich denn � Ich lasse dich nicht, du segnest mich denn � ihhLAHSS-suh dihh NIHHT, doo ZAYG-nusst mihh DENN � (I’ll Not Let Thee Go) �(cantata [kunn-TAH-tuh] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK}zay-BAH-stihahn BAHK])

Ich liebe den hochsten von ganzem gemute� Ich liebe den Höchsten von ganzem Gemüte � ihhLEE-buh dayn HÖH-stunn fawn GAHN-tsumm guh-MÜ-tuh � (I Love the Almighty withDeepest Devotion) � (cantata [kunn-TAH-tuh] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn BAHK])

Ich liebe dich � ihh LEE-buh dihh � (I Love You) � (song, title used by various composers)

Ich ruf zu dir herr jesu christ � Ich ruf zu dir, Herr Jesu Christ � ihh ROOF tsoo DIHR, hehrYAY-zoo KRISST � (cantata [kunn-TAH-tuh] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn BAHK])

Ich rufe von ganzem herzen � Ich rufe von ganzem Herzen � ihh ROO-fuh fawn GAHN-tsumm HEHR-tsunn � (motet [mo-TETT] by Heinrich Schütz [H����N-rihh SHÜTSS])

Ich sah das kind � Ich sah’ das Kind � ihh ZAH dahss KINNT � (duet from the operaParsifal [PAR-zih-fahl], music and libretto by Richard Wagner [RIH-hart VAHG-nur])

Ich schiess den hirsch � Ich schiess' den Hirsch � ihh SHEESS dayn HIHRSH � (song by F.Graf v. Pocci [GRAHF fawn POHK-kee]) � (Graf = Count)

Ich schleich um jenes haus herum � Ich schleich' um jenes Haus herum � ihh SHL����H oomYAY-nuss HAHÔÔSS heh-RÔÔM � (I Wander Oft) � (song from Liebeslieder [LEE-buss-lee-dur] — Love Songs — by Antonín Dvorák [AHN-taw-nyeeeen d’VAWR-shahahk])

Ich schwebe � ihh SHVAY-buh � (I Hover) � (song by Richard Strauss [RIH-hartSHTRAHÔÔSS])

Ich schwebe wie auf engelsschwingen � Ich schwebe wie auf Engelsschwingen � ihh shVAY-buh vee ahôôf EHNG-ullss-shVIHNG-unn � (I hover as if on angels’ wings) � (poem by KarlHenckell [KARL HEHNG-kull] set to music by Richard Strauss [RIH-hart SHTRAHÔÔSS])

Ich schwimm dir davon� ihh shvimm deer dah-FAWN � (excerpt from Mährische Duette[MAY-rih-shuh doo-ETT-tuh] — Moravian Duets — by Antonín Dvo�ák [AHN-taw-nyeeeend’VAW-rshahahk])

Ich sehe dich in tausend bildern � Ich sehe dich in tausend Bildern � ihh ZAY-uh dihh innTAHÔÔ-zunnt BILL-turn � (composition by Max Reger [MAHKSS RAY-gur])

Ich stand in dunklen traumen � Ich stand in dunklen Träumen � ihh SHTAHNT inn DÔÔNG-klunn TROY-munn � (excerpt from Songs With Piano by Bernard Wagenaar [{BUR-nurdWA-guh-nur} BEHR-nart WAH-keh-nahahr])

Ich steh mit einem fuss im grabe� Ich steh mit einem Fuss im Grabe � ihh SHTAY mitt ����-numm FÔÔSS imm GRAH-buh � (I Stand with One Foot in the Grave) � (cantata [kunn-TAH-tuh] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn

BAHK])

Ich trage meine minne � Ich trage meine Minne � ihh TRAH-guh M����-nuh MINN-nuh � (ICarry My Love) � (poem by Karl Henckell [KARL HEHNG-kull] set to music by RichardStrauss [RIH-hart SHTRAHÔÔSS])

Ich traue seiner gnaden � Ich traue seiner Gnaden � ihh TRAHÔÔ-uh Z����-nur gh'NAH-dunn� (I Trust in His Mercy) � (aria from the cantata [kunn-TAH-tuh] In allen meinen Taten [innAHL-lunn MI-nunn TAH-tunn] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunnBAHK} zay-BAH-stihahn BAHK])

Ich wandelte under den baumen � Ich wandelte unter den Bäumen � ihh VAHN-tull-tuh ôôn-tur dayn BOY-munn � (I Wandered Beneath the Trees) � (poem by Heinrich Heine [H����N-rihh H����-nuh] set to music by Robert Schumann [ROHOH-behrt SHOO-mahn] in the song cycleLiederkreis [LEE-dur-kr����ss])

Ich wandte mich und sahe � Ich wandte mich und sähe � ihh VAHNT-tuh mihh ôônt ZAY-uh � (I Turned and Saw) � (text from Ecclesiastes 4:1-3, set to music by Johannes Brahms [yo-HAHN-nuss {BRAHMZ} BRAHAHMSS])

Ich was ein chint so wolgetan� ihh VAHSS ����n HINNT zo VAWL-guh-tahn � (I was once amodest maiden) � (excerpt from the 13th-century manuscript Carmina Burana [kar-MEE-nahboo-RAH-nah])

Ich weiss dass meiner lieb zu dir� Ich weiss, dass meiner Lieb zu dir � ihh V����SS, dahss M����-nur LEEP tsoo deer � (I Know That My Love to Thee) � (song from Liebeslieder [LEE-buss-lee-dur] — Love Songs — by Antonín Dvorák [AHN-taw-nyeeeen d’VAWR-shahahk])

Ich weiss ein wildes geschlecht� Ich weiss ein wildes Geschlecht � ihh v����ss ����n VILL-tuss guh-SHLEHHT � (aria from Act 1 of the opera Die Walküre [dee vahl-KÜ-ruh], music and librettoby Richard Wagner [RIH-hart VAHG-nur])

Ich will auf den herren schaun � Ich will auf den Herren schau’n � ihh vill ahoof dayn HEHR-runn SHAHÔÔ’n � (I Want to Look upon the Lord) � (excerpt from Cantata [kunn-TAH-tuh]No. 93 by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahnBAHK])

Ich will bei meinem jesu wachen� Ich will bei meinem Jesu wachen � ihh vill b���� M����-nummYAY-zoo VAH-kunn � (I Would Beside My Lord Be Watching) � (aria from the St. Matthewpassion by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahnBAHK])

Ich will den kreuzstab gerne tragen � Ich will den Kreuzstab gerne tragen � ihh VILL daynKROYTSS-shtahp GEHR-nuh TRAH-gunn � (I Will Gladly Carry the Cross-staff) �(cantata [kunn-TAH-tuh] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK}

zay-BAH-stihahn BAHK], also an aria from the cantata)

Ich will dich lieben meine krone � Ich will dich lieben, meine Krone! � ihh VILL dihh LEE-bunn, M����-nuh KRO-nuh! � (choral song by Peter Cornelius [PAY-tur kawr-NAY-lihôôss])

Ich will dir mein herze schenken� Ich will dir mein Herze schenken � ihh VILL deer m����nHEHR-tsuh SHEHNG-kunn � (I wish to offer thee my heart) � (aria from the St. MatthewPassion by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahnBAHK])

Ich will meine seele tauchen� Ich will meine Seele tauchen � ihh VILL M����-nuh ZAY-luhTAHÔÔ-hunn � (I Want to Dip My Soul) � (poem by Heinrich Heine [H����N-rihh H����-nuh] setto music by Robert Schumann [ROHOH-bert SHOO-mahn]) � (excerpt from Seven Songs WithPiano by Ludwig Felix [LÔÔT-vihh FAY-lickss] and Jan Brandts Buys [YAHN BRAHNTSSBÜRSS])

Ich will nicht klagen mehr � ihh vill nihht KLAH-gunn mehr � (I Will Complain No More)� poem by Novalis [no-VAH-liss] set to music by Paul Hindemith [PAHÔÔL HINN-tuh-mitt])

Ich wollt ein strausslein binden� Ich wollt’ ein Sträusslein binden � ihh VAWLT ����nSHTROYSS-l����n BINN-tunn � (I Wanted to Tie a Nosegay) � (poem by Clemens Brentano[KLAY-menss brenn-TAHAH-no] set to music by Richard Strauss [RIH-hart SHTRAHÔÔSS])

Ich wurd auf meinem pfad � Ich würd' auf meinem Pfad � ihh VÜRT ahôôf m����-nummp’FAHT � (I Should Often Stand in Tears) � poem by Johann Timotheus Hermes [YO-hahntee-MO-tay-ôôss HEHR-muss] set to music by Wolfgang Amadeus Mozart [VAWLF-gahngah-mah-DAY-ôôss MO-tsart])

Ichiyanagi � Toshi Ichiyanagi � tawsh ee-chee-yah-nah-ghee

Iconomou � Panito Iconomou � pah-NEE-taw ee-kaw-NAW-mooo

Idamante � ee-dah-MAHN-tay � (character in the opera Idomeneo, rè di Creta [ee-doh-may-NAY-o, RAY dee KRAY-tah] — Idomeneo, King of Crete; music by Wolfgang AmadeusMozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart]; libretto by Giovanni Battista Varesco[jo-VAHN-nee baht-TEE-stah vah-RAY-sko] after Antoine Danchet [ah6666-twahn dah6666-sheh])

Iddan hermund � Iddan Hermund � EED-dahn HAR-mewn � (a song about the mythicalNorwegian giant, Iddan Hermund)

Ideale � ee-day-AH-lay � (song by Errico [ayr-REE-ko] and Francesco Paolo Tosti [frahn-CHAY-sko PAHO-lo TOH-stee])

Idelsohn � Abraham Zevi Idelsohn � AH-brah-hahm ZEH-vih IH-dell-sohn � (in Latvia,this Latvian National would be known as Abrahams Zevi Idelsohns [AH-brah-hahmss ZEH-vih

IH-dell-sohnss])

Idomeneo re di creta � Idomeneo, rè di Creta � ee-doh-may-NAY-o, RAY dee KRAY-tah� (Idomeneo, King of Crete) � (an opera, with music by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart] and libretto by Giovanni Battista Varesco [jo-VAHN-neebaht-TEE-stah vah-RAY-sko] after Antoine Danchet [ah6666-twahn dah6666-sheh])

Idyll � ����-d'l

Idylls of the king � Idylls of the King � ����-d’lz (of the King) � (epic poem by Alfred, LordTennyson [AL-frudd LAWRD TENN-nih-sunn], which served as the textual source for thechoral symphony The Legend of King Arthur by Elinor Remick Warren [EH-luh-nur REH-mickWAR-runn])

Idyot yeshcho � Idyot yeshcho? � idd-YAWT yihsh-SHAW? � (trio by Herman [GHEHR-mahn], Chekalinsky [cheh-kah-LYEEN-skee], Yeletsky [yeh-LYETT-skee], and chorus fromthe opera Pique dame [peek dahm] — The Queen of Spades; music by Peter Ilyich Tchaikovsky[p’YAW-t’r ill-YEECH {chahih-KAWF-skee} chay-KAWF-skee]; libretto by ModestTchaikovsky [mah-DYESST {chahih-KAWF-skee} chay-KAWF-skee] after AlexanderSergeyevich Pushkin [uh-lyick-SAHN-d’r sehr-GAY-yeh-vihch POOSH-kinn])

Iesu dulcis memoria � EEAY-soo DOOL-theess may-MO-reeah � (chant from the Cancionerode Segovia [kahn-theeo-NAY-ro day say-GO-veeah] — Songbook of Segovia — containingliturgical music from Spain at the time of Christopher Columbus)

If*ckube � Akira If*ckube � ah-kee-lah eef-koo-beh

Iglesias � Julio Iglesias � HOO-leeo ee-GLAY-seeahss � (known also as Julio Iglesias Buga[BOO-gah])

Igor � Prince Igor � (Prince) EE-gur � (an opera, with music by Alexander Borodin [uh-lyick-SAHN-d’r buh-rah-DYEEN]; libretto by Borodin after Vladimir Stasov [vlah-DYEE-mihrSTAH-suff])

Igumnov � Konstantin Igumnov � kahn-stahn-TYEEN ih-GOOM-nuff � (known also asKonstantin Nikolaievich [nyee-kah-LAHIH-eh-vihch ] Igumnov)

Ihm hatt ich ein zutraun � Ihm hätt ich ein Zutraun � EEM HETT ihh ����n TSÔÔ-trahôôn �(aria from the opera Der Rosenkavalier [dayr RO-zunn-kah-fah-leer] — The Knight of theRose; music by Richard Strauss [RIH-hart SHTRAHÔÔSS] and libretto by Hugo vonHofmannsthal [HOO-go fawn HAWF-mahn-stahl])

Ihr auge � Ihr Auge � eer AHÔÔ-guh � (Her Eye) � (poem by Ludwig Rellstab [LOOT-vihhRELL-shtahp] set to music by Franz Liszt [FRAHNZ LISST])

Ihr bild � Ihr Bild � eer BILT � (Her Picture) � (poem by Heinrich Heine [H����N-rihh H����-nuh] set to music by Franz Schubert [FRAHNTSS SHOO-bert] in his Schwanengesang[SHVAHAH-nunn-guh-zahng] — Swan Song)

Ihr des unermesslichen weltalls schopfer ehrt � Die ihr des unermesslichen Weltalls Schöpfer ehrt� dee eer dess oo-nehr-MESS-lih-hunn VELL-tahlss SHÖP-fur ayrt � (cantata [kunn-TAH-tuh] by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart])

Ihr die ihr euch von christo nennet � Ihr, die ihr euch von Christo nennet � eer, dee eer oyhfawn KRIH-stoh NENN-nutt � (You, Who Profess to Call Yourselves Christians) � (cantata[kunn-TAH-tuh] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn BAHK])

Ihr einem neuen grade � Die ihr einem neuen Grade � dee eer ����-numm NOY-unn GRAH-duh � (excerpt from the cantata [kunn-TAH-tuh] Dir, Seele des Weltalls [DEER, ZAY-luhdess VELL-tahlss] by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart])

Ihr glocken von marling � Ihr Glocken von Marling � eer GLAW-kunn fawn MAR-lihng �(Ye Bells of Marling) � (composition by Franz Liszt [FRAHNZ LISST])

Ihr habt nun traurigkeit � Ihr habt nun Traurigkeit � eer HAHPT noon TRAHÔÔ-rick-k����t �(And ye now therefore have sorrow) � (section of Ein deutsches Requiem [����n DOYT-shussRAY-kvihemm] — A German requiem [{REH-kôôee-umm} REH-kôôih-emm] — set to musicby Johannes Brahms [yo-HAHN-nuss {BRAHMZ} BRAHAHMSS])

Ihr menschen ruhmet gottes liebe � Ihr Menschen, rühmet Gottes Liebe � eer MENN-shunnRÜ-mutt GAWT-tuss LEE-buh � (Ye Mortals, Praise Ye God's Love) � (cantata [kunn-TAH-tuh] by Johann Sebastian Bach [YO-hahn {suh-BASS-stihunn BAHK} zay-BAH-stihahnBAHK])

Ihr unsre neuen leiter � Ihr unsre neuen Leiter � eer ÔÔN-sruh NOY-unn L����-tur � (song byWolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart])

Ija mia � EE-hah MEE-ah � (My Daughter) � (a medieval song of the Jews who wereexpelled from Spain in 1492 and who settled in Bulgaria)

Ikam � Catherine Ikam � KA-thuh-runn ����-k'm

Ikebe � Shin-Ichiro Ikebe � shee6666-nee-chee-law ee-keh-beh

Ikeda � Kikuei Ikeda � k’koo-ehee ee-keh-dah

Ikenouchi � Tomojirô Ikenouchi � taw-maw-jee-lawaw ee-keh-nawooch

Ikonen � Lauri Ikonen � LAHÔÔ-rih IH-kaw-nenn

Ikonomov � Boyan Georgiev Ikonomov � bo-YAHN gay-ohr-GHEE-eff ee-kaw-NAW-mawf

Il balen del suo sorriso � eel BAH-layn dayl SOO-o sohr-REE-zo � (The lightning flash ofher smile) � (aria from the opera Il trovatore [eel tro-vah-TOH-ray] — The Troubadour; musicby Giuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Salvadore Cammarano [sahl-vah-DOH-ray kahm-mah-RAH-no] and Leone Emanuele Bardare [lay-O-nay ay-mah-nooAY-laybar-DAH-ray] after Antonio García Gutiérrez [ahn-TOH-neeo gar-THEE-ah goo teeAYR-rehth])

Il barbiere di siviglia� Il barbiere di Siviglia � eel bar-beeAY-ray dee see-VEE-leeah � (TheBarber of Seville [suh-VILL]) � (an opera, with music by Gioachino Rossini [johah-KEE-norohss-SEE-nee]; libretto by Cesare Sterbini [chay-ZAH-ray stayr-BEE-nee] after Pierre-Augustin Caron de Beaumarchais [peeehr-o-güss-teh6666 kah-raw6666 duh bo-mar-sheh] andGiuseppe Petrosellini [joo-ZAYP-pay pay-tro-zayl-LEE-nee])

Il barcheggio � eel bar-KAYD-jo � (Little Boat) � (stage work by Alessandro Stradella [ah-layss-SAHN-dro strah-DAYL-lah])

Il barone scarpia � Il Barone Scarpia � eel bah-RO-nay SKAR-peeah � (Baron Scarpia) �(character in the opera Tosca [TOH-skah]; music by Giacomo Puccini [JAH-ko-mo poo-CHEE-nee]; libretto by Luigi Illica [looEE-jee eel-LEE-kah] and Giuseppe Giacosa [joo-ZAYP-pay jah-KO-zah] after Henri Murger [ah6666-ree mür-zhay])

Il cannone del porto � eel kahn-NO-nay dayl POHR-toh � (flower duet from the operaMadama [mah-DAH-mah] Butterfly — Madam [MA-dumm] Butterfly; music by GiacomoPuccini [jah-ko-mo poo-CHEE-nee]; libretto by Luigi Illica [looEE-jee eel-LEE-kah] andGiuseppe Giacosa [joo-ZAYP-pay jah-KO-zah] after David Belasco [DAY-vudd buh-LASS-ko] and John Luther Long [JAHN LOO-thur LAWNG])

Il canto del cigno � eel KAHN-toh dayl SEE-n’yo � (song by Camille Saint-Saens [{kah-meelseh6666-sah6666ss} kah-meey’ seh6666-sah6666ss])

Il capraro che dorme � eel kah-PRAH-ro kay DOHR-may � (Largo e pianissimo sempre[LAR-go ay peeah-NEESS-see-mo saym-pray]) � excerpt from La primavera [lah pree-mah-VAY-rah] — Spring — from Le quattro stagioni [lay kooAHT-tro stah-JO-nee] — The FourSeasons — by Antonio Vivaldi [ahn-TAW-neeo vee-VAHL-dee])

Il cardellino � eel kar-dayl-LEE-no � (song by Saverio Mercadante [sah-VAY-reeo mayr-kah-DAHN-tay]) � (known also as Giuseppe Saverio Raffaele Mercadante [joo-ZAYP-paysah-VAY-reeo rahf-fah-AY-lay mayr-kah-DAHN-tay])

Il carpentrasso � Il Carpentrasso � eel kar-payn-TRAHSS-so � (known in France as

Carpentras [kar-pah6666-trah])

Il castello di kenilworth � Il castello di Kenilworth � eel kah-STAYL-lo dee KEH-null-wurth � (Kenilworth [KEH-null-wurth] Castle) � (an opera, with music by Gaetano Donizetti[gahay-TAH-no doh-nee-TSAYT-tee] and libretto by Andrea Leone Tottola [ahn-DRAY-ahlay-OH-nay toht-TOH-lah])

Il cenciaiuolo � Il Cenciaiuolo � EEL chayn-chah-eeooO-lo � (ragman) � (character in theopera Iris [{����-russ} EE-reess]; music by Pietro Mascagni [peeAY-tro mah-SKAH-n’yee] andlibretto by Luigi Illica [looEE-jee eel-LEE-kah])

Il cieco � Il Cieco � EEL CHAY-ko � (the blind man) � (character in the opera Iris [{����-russ} EE-reess]; music by Pietro Mascagni [peeAY-tro mah-SKAH-n’yee] and libretto by LuigiIllica [looEE-jee eel-LEE-kah])

Il cimento dellarmonia e dellinvenzione � Il cimento dell’armonia e dell’invenzione � eel chee-MAYN-toh dayl-lar-mo-NEE-ah ay dayl-leen-vayn-tseeO-nay � (a group of compositions,including The Four Seasons, by Antonio Vivaldi [ahn-TAW-neeo vee-VAHL-dee])

Il commendatore � eel kohm-mayn-dah-TOH-ray � (the commander) � (character in theopera Don Giovanni [dohn jo-VAHN-nee]; music by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart] and libretto by Lorenzo da Ponte [lo-RAYN-tso dahPOHN-tay])

Il conte ah che mai sento � Il Conte! Ah, che mai sento � eel KOHN-tay! AH, kay mahee

SAYN-toh � (excerpt from the opera Il barbiere di Siviglia [eel bar-beeAY-ray dee see-VEE-leeah] — The Barber of Seville [suh-VILL]; music by Gioachino Rossini [johah-KEE-no rohss-SEE-nee]; libretto by Cesare Sterbini [chay-ZAH-ray stayr-BEE-nee] after Pierre-AugustinCaron de Beaumarchais [peeehr-o-güss-teh6666 kah-raw6666 duh bo-mar-sheh] and GiuseppePetrosellini [joo-ZAYP-pay pay-tro-zayl-LEE-nee])

Il conte dalmaviva � Il Conte d'Almaviva � eel KOHN-tay d'ahl-mah-VEE-vah � (Conte =Count) � (character in the opera Le nozze di Figaro [lay NOHT-tsay dee FEE-gah-ro] — TheMarriage of Figaro; music by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôssMO-tsart]; libretto by Lorenzo da Ponte [lo-RAYN-tso dah POHN-tay] after Pierre-AugustinCaron de Beaumarchais [peeehr-o-güss-teh6666 kah-raw6666 duh bo-mar-sheh])

Il conte dalmaviva � Il Conte d'Almaviva � eel KOHN-tay d'ahl-mah-VEE-vah � (Conte =Count) � (character in the opera Il barbiere di Siviglia [eel bar-beeAY-ray dee see-VEE-leeah]— The barber of Seville [suh-VILL]; music by Gioachino Rossini [johah-KEE-no rohss-SEE-nee]; libretto by Cesare Sterbini [chay-ZAH-ray stayr-BEE-nee] after Pierre-Augustin Caron deBeaumarchais [peeehr-o-güss-teh6666 kah-raw6666 duh bo-mar-sheh] and Giuseppe Petrosellini [joo-ZAYP-pay pay-tro-zayl-LEE-nee])

Il conte di ceprano � Il Conte di Ceprano � eel KOHN-tay dee chay-PRAH-no � (character

in the opera Rigoletto [ree-go-LAYT-toh]; music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Francesco Maria Piave [frahn-CHAY-sko mah-REE-ah peeAH-vay] afterVictor Hugo [{VICK-tur h’YOO-go} veek-tawr ü-go])

Il conte di lerma � Il Conte di Lerma � eel KOHN-tay dee LAYR-mah � (character in theopera Don Carlo [dohn KAR-lo]; music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee];libretto by François Méry [frah6666-swah may-ree] and Camille Du Locle [{kah-meel dü law-kl’}kah-meey’ dü law-kl’] after Friedrich von Schiller [FREET-rihh fawn SHILL-lur])

Il conte di luna � Il Conte di Luna � eel KOHN-tay dee LOO-nah � (conte = count) �(character in the opera Il trovatore [eel tro-vah-TOH-ray] — The Troubadour; music byGiuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Salvadore Cammarano [sahl-vah-DOH-ray kahm-mah-RAH-no] and Leone Emanuele Bardare [lay-O-nay ay-mah-nooAY-laybar-DAH-ray] after Antonio García Gutiérrez [ahn-TOH-neeo gar-THEE-ah goo-teeAYR-rehth])

Il conte di monterone � Il Conte di Monterone � eel KOHN-tay dee mohn-tay-RO-nay �(conte = count) � (character in the opera Rigoletto [ree-go-LAYT-toh]; music by GiuseppeVerdi [joo-ZAYP-pay VAYR-dee]; libretto by Francesco Maria Piave [frahn-CHAY-sko mah-REE-ah peeAH-vay] after Victor Hugo [{VICK-tur h’YOO-go} veek-tawr ü-go])

Il coro dei malammogliati � Il coro dei malammogliati � eel KO-ro DAYEE mah-lahm-mo-leeAH-tee � (The Chorus of Unhappy Wives) � (poem by Michelangelo Buonarroti il Giovane[mee-kay-LAHN-jay-lo booo-nar-RO-tee eel jo-VAH-nay] — Michelangelo Buonarroti theYounger — set to music by Luigi Dallapiccola [looEE-jee dahl-lah-PEEK-ko-lah])

Il coro delle malmaritate � Il coro delle malmaritate � eel KO-ro DAYL-lay mahl-mah-ree-TAH-tay � (The Chorus of Unhappy Husbands) � (poem by Michelangelo Buonarroti ilGiovane [mee-kay-LAHN-jay-lo booo-nar-RO-tee eel jo-VAH-nay] — MichelangeloBuonarroti the Younger — set to music by Luigi Dallapiccola [looEE-jee dahl-lah-PEEK-ko-lah])

Il corsaro � Il corsaro � eel kohr-SAH-ro � (The Corsair [[KAWR-sauhr]) � (an opera, withmusic by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Francesco Maria Piave[frahn-CHAY-sko mah-REE-ah peeAH-vay] after Byron [B����UH-runn])

Il court il court le furet � Il court, il court le furet � eel kôôr, eel kôôr luh fü-reh � (children’ssong)

Il dolce suono � eel DOHL-chay sooO-no � (aria featuring Lucia [loo-CHEE-ah] in the operaLucia di Lammermoor [loo-CHEE-ah dee LAHM-mer-môôuhr] — Lucy of Lammermoor[LOO-see of LAMM-mur-môôuhr]; music by Gaetano Donizetti [gahay-TAH-no doh-nee-TSAYT-tee]; libretto by Salvadore Cammarano [sahl-vah-DOH-ray kahm-mah-RAH-no]based on the novel The Bride of Lammermoor by Sir Walter Scott [WAWL-tur SKAHT])

Il dolce suono spargi damaro pianto � Il dolce suono ... spargi d’amaro pianto � eel DOHL-chay sooO-no ... SPAR-jee dah-MAH-ro peeAHN-toh � (quartet from the opera Lucia diLammermoor [loo-CHEE-ah dee LAHM-mer-môôuhr] — Lucy of Lammermoor [LOO-see ofLAMM-mur-môôuhr]; music by Gaetano Donizetti [gahay-TAH-no doh-nee-TSAYT-tee];libretto by Salvadore Cammarano [sahl-vah-DOH-ray kahm-mah-RAH-no] based on the novelThe Bride of Lammermoor by Sir Walter Scott [WAWL-tur SKAHT])

Il dottor dulcamara � Il dottor Dulcamara � eel doht-TOHR dool-kah-MAH-rah �(character in the opera L'elisir d'amore [lay-lee-ZEER dah-MO-ray] — The Elixir of Love;music by Gaetano Donizetti [gahay-TAH-no doh-nee-TSAYT-tee]; libretto by Felice Romani[fay-LEE-chay ro-MAH-nee] after Eugène Scribe [ö-zhenn skreeb]) � (dottore = doctor)

Il duca di montova � Il Duca di Montova � eel DOO-kah dee mohn-TOH-vah � (The Dukeof Montova [mohn-TOH-vah] � (character in the opera Rigoletto [ree-go-LAYT-toh]; musicby Giuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Francesco Maria Piave [frahn-CHAY-sko mah-REE-ah peeAH-vay] after Victor Hugo [{VICK-tur h’YOO-go} veek-tawrü-go])

Il duca di montua � Il Duca di Montua � eel DOO-kah dee mohn-TOO-ah � (The Duke ofMontua [mohn-TOO-ah] � (character in the opera Rigoletto [ree-go-LAYT-toh]; music byGiuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Francesco Maria Piave [frahn-CHAY-sko mah-REE-ah peeAH-vay] after Victor Hugo [{VICK-tur h’YOO-go} veek-tawr ü-go])

Il etait un roi de thule � Il était un Roi de Thulé � eel ay-teh ü6666 r’wah duh tü-lay � (aria fromthe opera Faust [FAHÔÔST]; music by Charles Gounod [sharl gôô-no]; libretto by Jules Barbier[zhül bar-beeay] and Michel Carré [mee-shell kar-ray] after Johann Wolfgang von Goethe [YO-hahn VAWLF-gahng fawn GÖ-tuh])

Il etait une religieuse � Il était une religieuse � eel ay-teh ün reh-lee-zheeöz � (There Was aNun) � (composition by Orlando de Lassus [awr-lah6666-doh duh lahss-sü])

Il grande inquisitore � eel GRAHN-day een-kooee-zee-TOH-ray � (The Grand Inquisitor) �(character in the opera Don Carlo [dohn KAR-lo]; music by Giuseppe Verdi [joo-ZAYP-payVAYR-dee]; libretto by François Méry [frah6666-swah may-ree] and Camille Du Locle [{kah-meeldü law-kl’} kah-meey’ dü law-kl’] after Friedrich von Schiller [FREET-rihh fawn SHILL-lur])

Il guarany � Il Guarany � eel gooah-rah-NEE � (The Guarany) � (an opera, with music byAntônio Carlos Gomes [ah6666-TOH-nihôô KAH-lôôss GO-meess]; libretto by Antonio Scalvini[ahn-TAW-neeo skahl-VEE-nee] and Carlo D’Ormeville [kar-lo dawrm-veel] after José deAlencar [zho-ZAY jah-lenn-KAR]) � (the opera is known also as O Guaraní [o gooah-rah-NEE])

Il lamento � eel lah-MAYN-toh � (The Lament) � (composition by Franz Liszt [FRAHNZLISST])

Il maestro di cappella � eel MAHAY-stro dee kahp-PAYL-lah � (comic monologue byDomenico Cimarosa [doh-MAY-nee-ko chee-mah-RO-zah])

Il marchese di calatrava � Il Marchese di Calatrava � eel mar-KAY-zay dee kah-lah-TRAH-vah � (The Marquis of Calatrava) � (character in the opera La forza del destino [lah FOHR-tsah dayl day-STEE-no] — The Force of Destiny; music by Giuseppe Verdi [joo-ZAYP-payVAYR-dee]; libretto by Francesco Maria Piave [frahn-CHAY-sko mah-REE-ah peeAH-vay]after Angel P. De Saavedra [ahn-HELL (P.) day sah-VAY-drah])

Il mio ben quando verra � Il mio ben quando verrà � eel MEE-o bayn kooAHN-doh vayr-RAH � (song by Giovanni Paisiello [jo-VAHN-nee pahee-zeeAYL-lo])

Il mio core � eel MEE-o KO-ray � (My Heart) � (vocal duet by Giacomo Carissimi [JAH-ko-mo kah-REESS-see-mee])

Il mio tesoro � eel MEE-o tay-ZO-ro � (aria featuring Don Ottavio [dohn oht-TAH-veeo] inthe opera Don Giovanni [dohn jo-VAHN-nee]; music by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart] and libretto by Lorenzo da Ponte [lo-RAYN-tso dahPOHN-tay])

Il mistero � eel mee-STAY-ro � (The Secret) � (poem by Felice Romani [fay-LEE-chay ro-MAH-nee] set to music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee])

Il padre adorato � eel PAH-dray ah-doh-RAH-toh � (aria featuring Idamante [ee-dah-MAHN-tay] in the opera Idomeneo, rè di Creta [ee-doh-may-NAY-o, RAY dee KRAY-tah]— Idomeneo, King of Crete; music by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart]; libretto by Giovanni Battista Varesco [jo-VAHN-nee baht-TEE-stahvah-RAY-sko] after Antoine Danchet [ah6666-twahn dah6666-sheh])

Il pescatore canta � eel pay-skah-TOH-ray KAHN-tah � (song by Francesco Paolo Tosti[frahn-CHAY-sko PAHO-lo TOH-stee])

Il pirata � eel pee-RAH-tah � (The Pirate) � (an opera, with music by Vincenzo Bellini[veen-CHAYN-tso bayl-LEE-nee] and libretto by Felice Romani [fay-LEE-chay ro-MAH-nee])

Il pleure dans mon coeur � Il pleure dans mon cœur � eel plör dah6666 maw6666 kör � (Tears Fall inMy Heart) � (poem from Ariettes oubliées [ah-reeett ôô-blee-ay] — Forgotten Airs — by PaulVerlaine [pohl vehr-lenn] set to music by Claude Debussy [klohd deh-büss-see])

Il podesta � Il podestà � eel po-day-STAH � (the mayor) � (character in La gazza ladra [lahGAHD-tsah LAHD-rah] — The Thieving Magpie; music by Gioachino Rossini [johah-KEE-norohss-SEE-nee] and libretto by Giovanni Gherardini [jo-VAHN-nee gay-rar-DEE-nee])

Il poeta ha ragione � eel po-AY-tah hah rah-JO-nay � (duet from the opera Il Turco in Italia

[eel TOOR-ko een ee-TAH-leeah] — The Turk in Italy; music by Giaochino Rossini [joah-KEE-no rohss-SEE-nee] and libretto by Felice Romani [fay-LEE-chay ro-MAH-nee])

Il poveretto � eel po-vay-RAYT-toh � (The Beggar) � (poem by Andrea Maffei [ahn-DRAY-ah mahf-FAYEE] set to music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee])

Il prigioniero � eel pree-jo-neeAY-ro � (The Prisoner) � (song by Giovanni Gastoldi [jo-VAHN-nee gah-STOHL-dee])

Il primo libro de madrigali� eel PREE-mo LEE-bro day mah-dree-GAH-lee � (The FirstBook of Madrigals [MADD-rih-gullz] by Johann Grabbe [YO-hahn GRAHB-buh])

Il quarto libro de motetti a two three four e seven voci � Il quarto libro de motetti a 2, 3, 4 e 7voci � eel kooAR-toh LEE-bro day mo-TAYT-tee ah 2, 3, 4, ay 7 VO-chee � (The FourthBook of Motets [mo-TETTS] for 2, 3, 4, and 7 voices) � (motets by Claudio Monteverdi[KLAHOO-deeo mohn-tay-VAYR-dee])

Il quattro � Il Quattro � eel kooAHT-tro � (a string quartet)

Il risentimento� eel ree-zayn-tee-MAYN-toh � (Resentment) � (poem by Pietro Metastasio[peeAY-tro may-tah-STAH-zeeo] set to music by Gioachino Rossini [johah-KEE-no rohss-SEE-nee])

Il risentimento mi lagnero tacendo four � Il risentimento (mi lagnerò tacendo, 4) � eel ree-zayn-tee-MAYN-toh (mee lah-n’yay-RO tah-CHAYN-doh, 4) � (song by Gioachino Rossini[johah-KEE-no rohss-SEE-nee])

Il sagrestano � eel sah-gray-STAH-no � (A sacristan) � (character in the opera Tosca [TOH-skah]; music by Giacomo Puccini [JAH-ko-mo poo-CHEE-nee]; libretto by Luigi Illica [looEE-jee eel-LEE-kah] and Giuseppe Giacosa [joo-ZAYP-pay jah-KO-zah] after Henri Murger[ah6666-ree mür-zhay])

Il segreto per esser felici � eel say-GRAY-toh payr AYSS-sayr fay-LEE-chee � (excerptfrom the opera Lucrezia Borgia [loo-KRAY-tseeah BOHR-jah]; music by Gaetano Donizetti[gahay-TAH-no doh-nee-TSAYT-tee]; libretto by Felice Romani [fay-LEE-chay ro-MAH-nee]after Victor Hugo [{VICK-tur h’YOO-go} veek-tawr ü-go])

Il signor bruschino, ossia Il figlio per azzado � eel see-n’YOHR broo-SKEE-no, OHSS-seeaheel FEE-leeo payr aht-TSAH-doh � Mr. Bruschino, or Son By Accident � (an opera, withmusic by Gioachino Rossini [johah-KEE-no rohss-SEE-nee]; libretto by Giuseppe Maria Foppa[joo-ZAYP-pay mah-REE-ah FOHP-pah] after Alissan de Chazet [ah-liss-sah6666 duh chah-zeh] and E. -T. Maurice Ourry [mo-reess ohr-ree])

Il sogno � Il Sogno � eel SO-n’yo � (The Dream) � (excerpt from the opera Manon [mah-naw6666]; music by Jules Massenet [zhül {mahss-s’nay} mahss-s’neh]; libretto by Henri Meilhac

[ah6666-ree meh-yack] and Philippe Gille [fee-leep zheel] after Antoine-François Prévost [ah6666-t’wahn-frah6666-swah pray-vo])

Il tabarro � eel tah-BAR-ro � (The Cloak) � (an opera, with music by Giacomo Puccini[JAH-ko-mo poo-CHEE-nee]; libretto by Giuseppe Adami [joo-ZAYP-pay ah-DAH-mee]after Didier Gold [dee-deeay gawld])

Il tramonto � eel trah-MOHN-toh � (Sunset) � (poem by Andrea Maffei [ahn-DRAY-ahmahf-FAYEE] set to music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee])

Il trovatore � eel tro-vah-TOH-ray � (The Troubadour) � (an opera, with music by GiuseppeVerdi [joo-ZAYP-pay VAYR-dee]; libretto by Salvadore Cammarano [sahl-vah-DOH-raykahm-mah-RAH-no] and Leone Emanuele Bardare [lay-O-nay ay-mah-nooAY-lay bar-DAH-ray] after Antonio García Gutiérrez [ahn-TOH-neeo gar-THEE-ah goo-teeAYR-rehth])

Il trovatore �eel tro-vah-TOH-ray � (The Troubadour) � (song by Gioachino Rossini [johah-KEE-no rohss-SEE-nee])

Il tuo sangue o il mio amore volea � eel TOO-o SAHN-gooay o eel MEE-o ah-MO-ray vo-LAY-ah � (excerpt from the opera Tosca [TOH-skah]; music by Giacomo Puccini [JAH-ko-mo poo-CHEE-nee]; libretto by Luigi Illica [looEE-jee eel-LEE-kah] and Giuseppe Giacosa[joo-ZAYP-pay jah-KO-zah] after Henri Murger [ah6666-ree mür-zhay])

Il turco in italia � Il Turco in Italia � eel TOOR-ko een ee-TAH-leeah � (The Turk in Italy) �(an opera, with music by Gioachino Rossini [johah-KEE-no rohss-SEE-nee] and libretto byFelice Romani [fay-LEE-chay ro-MAH-nee])

Il vecchiotto cerca moglie � eel vayk-keeOHT-toh CHAYR-kah MO-leeay � (The old manlooks for a wife) � (aria from the opera Il barbiere di Siviglia [eel bar-beeAY-ray dee see-VEE-leeah] — The Barber of Seville [suh-VILL]; music by Gioachino Rossini [johah-KEE-no rohss-SEE-nee]; libretto by Cesare Sterbini [chay-ZAH-ray stayr-BEE-nee] after Pierre-AugustinCaron de Beaumarchais [peeehr-o-güss-teh6666 kah-raw6666 duh bo-mar-sheh] and GiuseppePetrosellini [joo-ZAYP-pay pay-tro-zayl-LEE-nee])

Il viaggio a reims � Il viaggio a Reims � eel veeAHD-jo ah reh6666ss � (The Journey to Rheims[REEMZ]) � (a stage cantata [kunn-TAH-tuh] with ballet [BAL-lay]; music by GioachinoRossini [johah-KEE-no rohss-SEE-nee] and libretto by Luigi Balocchi [looEE-jee bah-LOHK-kee])

Ile heureuse � L'île heureuse � leel ö-röz � (The Isle of Happiness) � (song by EmmanuelChabrier [emm-mah-nüell shah-breeay])

Ile inconnue � L'île inconnue � leel eh6666-kawn-nü � (The Unknown Island) � (poem byThéophile Gautier [tay-aw-feel go-teeay] set to music by Hector Berlioz [eck-tawr behr-leeawz])

Ilerici � Kemal �lerici � keh-MAHL ih-leh-RIH-chih � (the last name has been transcribedalso as Ilerici)

Ilhinsky � Alexander Alexandrovich Ilhinsky � uh-lyick-SAHN-d’r uh-lyick-SAHN-druh-vihch yill-YINN-skee

Iliev � Konstantin Iliev � kawn-stahn-TEEN EE-leeeff

Iliffe � Frederick Iliffe � FREH-duh-rick ����-liff

Ilitsch � Daniza Ilitsch � DAH-nih-tsah EE-lihch

Illale � ILL-lah-leh � (To Evening) � (poem by A. V. Forsman-Koskimies [(A. V.)FAWRSS-mahn-KAWSS-kih-mihess] set to music by Jean Sibelius [zhah6666 sih-BAY-lihôôss])

Illan � David Bar-Illan � dah-VEED BAR-eel-LAHN � (known also as David Jacob [yah-ah-KOHV] Bar-Illan)

Illatio � ee-l’YAH-teeo � (anonymous sacred music from 16th-century Spain)

Illica � Luigi Illica � looEE-jee eel-LEE-kah

Illuminations� Les illuminations � leh-zee-lü-mee-nah-seeaw6666 � (song cycle by BenjaminBritten [BENN-juh-munn BRITT-tunn])

Ilmenau � ILL-muh-nahôô � (song by Charles Ives [CHAH-rullz ����VZ)

Ils seloignent enfin sombre foret � Ils s'eloignent enfin ... Sombre forêt � eel seh-l'wah-n’yah6666-tah6666-feh6666 ... saw6666-br' faw-reh � (recitative [reh-suh-tuh-TEEV] and aria from the operaGuillaume Tell [ghee-yohm tell] — William Tell; music by Gioachino Rossini [johah-KEE-norohss-SEE-nee]; libretto by Étienne de Jouy [ay-teeenn duh zhôôee], Hippolyte-Louis-Florent Bis[eep-paw-leet-lôôee-flaw-rah6666 bee], Armand Marrast [ar-mah6666 mahr-rah], and AdolpheCrémieux [ah-dawlf kray-meeö] after Friedrich von Schiller [FREET-rihh fawn SHILL-lur])

Ilyinski � Alexander Alexandrovich Ilyinski � uh-lyick-SAHN-d’r uh-lyick-SAHN-druh-vihch yill-YINN-skee

Im abendrot � Im Abendrot � imm AHAH-bunnt-rawt � (At Sundown) � (song, title used byvarious composers)

Im chambre separee � Im chambre séparée � imm shah6666-br’ say-pah-ray � (excerpt from theoperetta Der Opernball [dayr O-pehrn-pahl]; music by Richard Heuberger [RIH-hart HOY-bur-gur]; libretto by Victor Léon [veek-tawr lay-aw6666] and Heinrich Von Waldberg [H����N-rihhfawn VAHLT-pehrk] after Alfred Delacour [ahl-fredd deh-lah-kôôr] and Alfred Hennequin[ahl-fredd enn-nuh-keh6666])

Im dorfe � Im Dorfe � imm DAWR-fuh � (In the Village) � (poem by Wilhelm Müller[VILL-hellm MÜL-lur] set to music by Franz Schubert [FRAHNTSS SHOO-bert] in the songcycle Winterreise [VINN-tur-r����-zuh] — A Winter’s Journey)

Im fruhling � Im Frühling � imm FRÜ-lihng � (In Springtime) � (poem by Ernst Schulze[EHRNST SHÔÔL-tsuh] set to music by Franz Schubert [FRAHNTSS SHOO-bert])

Im fruhlingsanfange � Im Frühlingsanfange � imm FRÜ-lihng-zahn-fahng-uh � (At the Startof Spring) � (poem by C. C. Sturm [SHTÔÔRM] set to music by Wolfgang Amadeus Mozart[VAWLF-gahng ah-mah-DAY-ôôss MO-tsart])

Im herbst � Im Herbst � imm HEHRPST � (In Autumn) � (poem by Klaus Groth[KLAHÔÔSS GROHT] set to music by Johannes Brahms [yo-HAHN-nuss {BRAHMZ}BRAHAHMSS])

Im langen ton als gott saget zu abraham � Im langen Ton: Als Gott saget zu Abraham � immLAHNG-unn TOHN: AHLSS GAWT ZAH-gutt tsoo AHAH-brah-hahm � (compositionfrom the songbook of Adam Puschmann [AHAH-dahm PÔÔSH-mahn])

Im mayen � imm M����-unn � (In May We Hear the co*cks Crow) � (composition by Orlando deLassus) [awr-lah6666-doh duh lahss-sü])

Im ninalu shalom shabazi� Im Nin'alu (Shalom Shabazi) � eem NEE-nah-loo (shah-LAWMshah-BAH-zee) � (composition by Oedoen Partos [Ö-dön PAR-tohsh])

Im off to chez maxim � I’m Off to Chez Maxim � (I’m Off to) shay mahk-simm � (excerptfrom the operetta Die lustige Witwe [dee LÔÔ-stih-guh VITT-vuh] — The Merry Widow;music by Franz Lehár [FRAHNZ leh-HAHAHR]; libretto by Victor Léon [veek-tawr lay-aw6666]and Leo Stein [LAY-o SHT����N] after Henri Meilhac [ah6666-ree meh-yack])

Im rhein im heiligen strome � Im Rhein, im heiligen Strome � imm R����N, imm H����-lih-gunnSHTRO-muh � (In the Rhine, in the Sacred River) � (poem by Heinrich Heine [H����N-rihh H����-nuh] set to music by Robert Schumann [ROHOH-bert SHOO-mahn])

Im rhein im schonen strome� Im Rhein, im schönen Strome � imm R����N, imm SHÖ-nunnSHTRO-muh � (In the Rhine, in That Lovely River) � (poem by Heinrich Heine [H����N-rihhH����-nuh] set to music by Franz Liszt [FRAHNZ LISST])

Im schonsten wiesengrunde � Im schönsten Wiesengrunde � imm SHÖN-stunn VEE-zunn-grôôn-tuh � (In the Beautiful Meadowland) � (variation on the German folk song, Three Lilies)

Im sussen bann von deinem blick � Im süssen Bann von deinem Blick � imm SÜSS-sunnBAHN fawn D����-numm BLICK � (When Thy Sweet Glances) � (song from Liebeslieder[LEE-buss-lee-dur] — Love Songs — by Antonín Dvo�ák [AHN-taw-nyeeeen d’VAW-rshahahk])

Im tiefen walde steh ich hier � Im tiefen Walde steh' ich hier � imm TEE-funn VAHL-tuhSHTAY ihh HEER � (In Deepest Forest Glade) � (song from Liebeslieder [LEE-buss-lee-dur] — Love Songs — by Antonín Dvo�ák [AHN-taw-nyeeeen d’VAW-rshahahk])

Im treibhaus � Im Treibhaus � imm TR����P-hahôôss � (In the Hot House) � (poem byMathilde Wesendonk [mah-TILL-tuh VAY-zunn-tawngk] set to music by Richard Wagner[RIH-hart VAHG-nur] in his Wesendonk Lieder [VAY-zunn-tawngk LEE-dur] —Wesendonk Songs)

Im volkston � Im Volkston � imm FAWLKS-tawn � (composition by Amo Holz [AH-moHAWLTSS])

Im walde � Im Walde � imm VAHL-tuh � (In the Forest) � (poem by Joseph vonEichendorff [YOHOH-zeff fawn ����-hunn-tawrf] set to music by Robert Schumann [ROHOH-bertSHOO-mahn])

Im wunderschonen monat mai � Im wunderschönen Monat Mai � imm VÔÔN-tur-shö-nunnMO-naht MAHEE � (In the Glorious Month of May) � (poem by Heinrich Heine [H����N-rihhH����-nuh] set to music by Robert Schumann [ROHOH-bert SHOO-mahn])

Im zimmer � Im Zimmer � imm TSIMM-mur � (Indoors) � (poem by Johannes Schlaf [yo-HAHN-nuss SHLAHF] set to music by Alban Berg [AHL-pahn BEHRK] in Sieben früheLieder [ZEE-bunn FRÜ-uh LEE-dur] — Seven Early Songs)

Images � ee-mahzh � (title given by Claude Debussy [klohd deh-büss-see] to books of songshe wrote)

Imagistes � Des imagistes � day-zee-mah-zheest � (five poems set to music by William Kraft[WILL-lihumm KRAFFT])

Imai � Nobuko Imai � naw-boo-kaw ee-mahee

Imbert � Hugues Imbert � ü-gö eh6666-behr

Imbody � Joel Imbody � JO-ull IMM-bah-dee

Imbrie � Andrew Imbrie � ANN-droo IMM-bree � (known also as Andrew Welsh [WELSH]Imbrie)

Imeneo � ee-may-NAY-o � (an opera, with music by George Frideric Handel [JAW-urjFRIH-duh-rick HANN-d’l] and libretto anonymously adapted from a book by Silvio Stampiglia[SEEL-veeo stahm-PEE-leeah]; also a character in the opera)

Immer � Friedemann Immer � FREE-duh-mahn IMM-mur

Immer leiser wird mein schlummer � Immer leiser wird mein Schlummer � IMM-mur L����-zurVIHRT m����n SHLÔÔM-mur � (Ever Fainter Grows My Slumber) � (poem by Hermann vonLingg [HEHR-mahn fawn LIHNG] set to music by Johannes Brahms [yo-HAHN-nuss{BRAHMZ} BRAHAHMSS])

Immer nur lacheln � Immer nur Lächeln � IMM-mur noor LEH-hulln � (excerpt from theoperetta Das Land des Lächelns [dahss LAHNT dess LEH-hullnss] — The Land of Smiles;music by Franz Lehár [FRAHNZ leh-HAHAHR]; lyrics by Victor Léon [veek-tawr lay-aw6666],Ludwig Herzer [LOOT-vihh HEHR-tsur], and Fritz Löhner [FRITTSS LÖ-nur])

Immler � Christian Immler � KRIH-stihahn IMM-lur

Imogene � Imogène � ee-maw-zhenn � (character in the opera Il pirata [eel pee-RAH-tah]— The Pirate; music by Vincenzo Bellini [veen-CHAYN-tso bayl-LEE-nee] and libretto byFelice Romani [fay-LEE-chay ro-MAH-nee])

Imperayritz de la ciutat joyosa � eem-pay-R����-reetth day lah THEE-oo-taht ho-YO-sah �(excerpt from the Llibre vermell of Montserrat [l’YEE-vray vehr-MELL (of) mawnt-sehr-RAHT] — pilgrim songs and dances associated with the Shrine to the Virgin at Montserrat[mahnt-sehr-RAHT])

Imponete non amarlo ditegli � Imponete! / Non amarlo ditegli � eem-po-NAY-tay! / nohnah-MAR-lo dee-TAY-l’yee � (passage featuring Violetta [vee-o-LAYT-tah] and Germont[zhehr-maw6666] in the opera La traviata [lah trah-veeAH-tah] — The Worldly Woman; music byGiuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Francesco Maria Piave [frahn-CHAY-sko mah-REE-ah peeAH-vay] after Alexandre Dumas [ah-leck-sah6666-dr’ dü-mah])

Impresiones intimas � eem-pray-seeO-nayss een-TEE-mahss � (Intimate Impressions) � (asuite by Federico Mompou [feh-theh-REE-ko mawm-POOO])

Impression du matin� Impression du matin � eh6666-press-seeaw6666 dü mah-teh6666 � (Early Morningin London) � (text by Oscar Wilde [AWSS-kur W����LD] set to music by Charles TomlinsonGriffes [CHAH-rullz TAHM-l’n-s’n GRIFF-fuss])

Impromptu � eh6666-praw6666p-tü � (composed without previous study or preparation) � (certaincompositions by Frédéric Chopin [fray-day-reek shaw-peh6666]) � (certain compositions by FranzSchubert [FRAHNTSS SHOO-bert])

Impromptu a la schumann � Impromptu a la Schumann � eh6666-praw6666p-tü ah lah SHOO-mahn� (excerpt from the Suite miniature [süeet mee-neeah-tür] by César Cui [say-zar küee])

Impromptus � eh6666-praw6666p-tü � (certain compositions by Franz Schubert [FRAHNTSSSHOO-bert])

Improperia � eem-praw-PEH-reeuh � (Gregorian chant)

Improperium � eem-praw-PEH-reeôôm � (anonymous sacred composition)

Improvisations � eh6666-praw-vee-zah-seeaw6666 � (compositions by Francis Poulenc [frah6666-seesspôô-lah6666k])

Improvviso � L’Improvviso � leem-prohv-VEE-zo � (aria from the opera Andrea Chénier[ahn-dray-ah shay-neeay]; music by Umberto Giordano [oom-BAYR-toh jor-DAH-no] andlibretto by Luigi Illica [looEE-jee eel-LEE-kah])

In allen meinen taten � In allen meinen Taten � inn AHL-lunn M����-nunn TAH-tunn � (InAll My Deeds) � (cantata [kunn-TAH-tuh] by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn BAHK])

In assumptione beatae mariae virginis � In assumptione Beatæ Mariæ Virginis � inn ahss-soomp-tihO-nay beh-AH-tay MUH-rih-ay veer-JEE-niss � (On the Assumption of theBlessed Virgin Mary) � (Mass by William Byrd [WILL-lihumm BURD])

In coena domini � In Coena Domini � inn KAY-nuh DAW-mih-nih � (general title forindividually numbered Responsoria [reh-spohn-SO-rihuh] by Carlo Gesualdo [KAR-lo jay-zooAHL-doh])

In concordiam � In Concordiam � inn kohn-KOHR-dihumm � (composition by StephenAlbert [STEE-vunn AL-burt])

In danzig � In Danzig � inn DAHN-tsih � (poem by Joseph von Eichendorff [YOHOH-zefffawn ����-hunn-tawrf] set to music by Hans Pfitzner [HAHNSS p’FITTSS-nur])

In decachordo psalterio � inn deh-kuh-KOHR-doh p’sahl-TAY-riho � (composition byJean-Joseph Cassanéa de Mondonville [zhah6666-zho-zeff kahss-sah-nay-ah duh maw6666-daw6666-veel])

In dem weiten breiten luftgen leinenkleide � In dem weiten, breiten, luft'gen Leinenkleide � inndaym V����-tunn, BR����-tunn, LÔÔFT-gunn L����-nunn-kl����-duh � (Wide the Sleeves) � (songfrom Zigeunermelodien [tsee-GOY-nur-may-lo-dee-unn] — Gypsy Melodies — by AntonínDvo�ák [AHN-taw-nyeeeen d’VAW-rshahahk])

In den beeren � In den Beeren � inn dayn BAY-runn � (Among the Berries) � (poem byHans Schmidt [HAHNSS SHMITT] set to music by Johannes Brahms [yo-HAHN-nuss{BRAHMZ} BRAHAHMSS])

In den hugeln wird gold gefunden � In den Hügeln wird Gold gefunden � inn dayn HÜ-ghellnveert GAWLT guh-FÔÔN-tunn � (Gold Is Found in the Hills) � (song by Hanns Eisler[HAHNSS ����SS-lur])

In den weiden � In den Weiden � inn dayn V����-dunn � (In the Willows) � (song by Hanns

Eisler [HAHNSS ����SS-lur])

In der ferne � In der Ferne � inn dayr FEHR-nuh � (Far Away) � (poem by LudwigRellstab [LOOT-vihh RELL-shtahp] set to music by Franz Schubert [FRAHNTSS SHOO-bert] in his Schwanengesang [SHVAHAH-nunn-guh-zahng] — Swan Song)

In der fremde � In der Fremde � inn dayr FREMM-tuh � (In the Unknown) � (song byRobert Schumann [ROHOH-bert SHOO-mahn])

In der fruhe � In der Frühe � inn dayr FRÜ-uh � (In the Morning) � (song by Hanns Eisler[HAHNSS ����SS-lur])

In der nacht � In der Nacht � inn dayr NAHKT � (In the Night) � (composition by RobertSchumann [ROHOH-bert SHOO-mahn])

In der schatten meiner locken � In der Schatten meiner Locken � inn dayr SHAHT-tunn M����-nur LAW-kunn � (In the Shadow of My Tresses) � (Spanish folksong from The SpanishSongbook translated to German by Paul Heyse [PAHÔÔL H����-zuh] and set to music by HugoWolf [HOO-go VAWLF])

In der silberweise salve ich gruss dich schone � In der Silberweise salve ich grüss dich schöne �inn dayr ZILL-bur-v����-zuh ZAHL-fuh ihh GRÜSS dihh SHÖ-nuh � (composition from thesongbook of Adam Puschmann [AHAH-dahm PÔÔSH-mahn])

In die stadte kam ich � In die Städte kam ich � inn dee SHTETT-tuh kahahm ihh � (I Cameto the Cities) � (song by Hanns Eisler [HAHNSS ����SS-lur]

In dieser feierlichen stundeden � In dieser feierlichen Stundeden � inn DEE-zur F����-ur-lih-hunn SHTÔÔN-tuh-dunn � (aria from the opera Der Rosenkavalier [dayr RO-zunn-kah-fah-leer] — The Knight of the Rose; music by Richard Strauss [RIH-hart SHTRAHÔÔSS] andlibretto by Hugo von Hofmannsthal [HOO-go fawn HAWF-mahn-stahl])

In dulci jubilo � inn DOOL-chih YOO-bih-lo � (a children's chorus)

In ecclesiis � inn ayk-KLAY-zihihss � (sacred composition by Giovanni Gabrieli [jo-VAHN-nee gahb-reeAY-lee])

In einem kuhlen grunde� In einem kühlen Grunde � inn ����-numm KÜ-lunn GRÔÔN-tuh �(German folk song)

In fernem land� In fernem Land � inn FEHR-numm LAHNT � (Recitative [reh-suh-tuh-TEEV] featuring Lohengrin [LOHOH-unn-grinn] in the opera Lohengrin, music and libretto byRichard Wagner [RIH-hart VAHG-nur])

In ferner einsamkeit des waldes � In ferner Einsamkeit des Waldes � inn FEHR-nur ����N-

zahm-k����t dess VAHL-tuss � (passage featuring Ortrud [AWR-trôôt] and Elsa [ELL-zah] inthe opera Lohengrin [LOHOH-unn-grinn], music and libretto by Richard Wagner [RIH-hartVAHG-nur])

In furore giustissimae irae � In furore giustissimae irae � inn foo-RO-reh joo-STEESS-sih-may EE-ray � (motet [mo-TETT] by Antonio Vivaldi [ahn-TAW-neeo vee-VAHL-dee])

In gedeonis area � In Gedeonis area � inn gheh-day-O-niss AH-reh-uh � (On Gideon’sthreshing floor) � (excerpt from the 13th-century collection Carmina Burana [kar-MEE-nahboo-RAH-nah])

In goldener fulle � In goldener Fülle � inn GAWL-tuh-nur FÜL-luh � (In GoldenContentment) � (poem by Paul Remer [PAHÔÔL RAY-mur] set to music by Richard Strauss[RIH-hart SHTRAHÔÔSS)

In grembo a me � een GRAYM-bo ah MAY � (excerpt from the opera L’Africana [lahf-ree-KAH-nah] — The African Maid; music by Giacomo Meyerbeer [JAH-ko-mo M����-ur-bayr];libretto by Eugène Scribe [ö-zhenn skreeb] and François-Joseph Fétis [frah6666-swah-zho-zeff fay-tee])

In hac valle florida � inn hahk VAHL-lay FLO-rih-duh � poem by Benedictheuem [beh-neh-deek-TAYOO-emm] set to music by John Playford [JAHN PLAY-furd])

In hora ultima � In hora ultima � inn HO-ruh OOL-tih-mah � (composition by Orlande deLassus [awr-lah6666d duh lahss-sü])

In hydraulis � inn hü-DRUHÔÔ-liss � (motet [mo-TETT] by Antoine Busnoys [ah6666-twahnbü-n’wah])

In manus tuas � inn MUH-nôôss TOO-uss � (prayer set to music by John Sheppard [JAHNSHEPP-purd])

In meine innige nacht � In meine innige Nacht � inn M����-nuh INN-nih-guh NAHKT � (IntoMy Deep Night) � (poem by Hans Kaltneker [HAHNSS KAHLT-neh-kur] set to music byErich Wolfgang Korngold [{EH-rick WÔÔLF-gang KAWRN-gohld} AY-rihh VAWLF-gahng KAWRN-gawlt] in Drei Gesänge [DR���� guh-ZEHNG-uh] — Three Songs)

In memoriam nathalie koussevitzky� In Memoriam: Nathalie Koussevitzky � (In Memoriam):NA-tah-lee kooss-suh-VITTSS-kee � (No. 5 from Seven Anniversaries) � (composition byLeonard Bernstein [LEH-nurd BURN-st����n])

In mia man � een MEE-ah MAHN � (duet from Act II of the opera Norma [{NAWR-muh}NOHR-mah]; music by Vincenzo Bellini [veen-CHAYN-tso bayl-LEE-nee] and libretto byFelice Romani [fay-LEE-chay ro-MAH-nee])

In modo duna marcia � In modo d’una marcia � een MO-doh DOO-nah MAR-chah �(composition by Robert Schumann [ROHOH-bert SHOO-mahn])

In modo populari � een MO-doh po-poo-LAH-ree � (In the Popular Mode) � (Petite suite[p’teet süeet] No. 3 by César Cui [say-zar küee])

In nets of golden wyers � In Nets of Golden Wyers � (In Nets of Golden) W����-urz � (madrigal[MADD-rih-gull] by Thomas Morley [TAH-muss MAWR-lih])

In nomine � inn NO-mih-nay � (composition by John Taverner [JAHN TA-vur-nur];(composition by Orlando Gibbons [awr-LANN-doh GHIBB-bunnz])

In occasu sideris � inn ohk-KAH-zôô SEE-deh-riss � (As the Stars Fell) � (anonymouscomposition)

In pace � inn PAH-chay � (In Peace) � (composition by John Taverner [JAHN TA-vur-nur])

In pace in idipsum � inn PAH-chay, inn EE-dipp-sôôm � (composition by Orlande de Lassus[awr-lah6666d duh lahss-sü])

In paradisum � In paradisum � inn puh-ruh-DEE-sôôm � (In Paradise) � (section of theLatin requiem [{REH-kôôee-umm} REH-kôôih-emm] set to music by various composers)

In parasceve � inn puh-rah-SHAY-vay � (events after Good Friday and before theCrucifixion) � (general title for individually numbered Responsoria [ray-spohn-SO-reeah] byCarlo Gesualdo [KAR-lo jay-zooAHL-doh])

In pulverem mortis� inn pool-VEH-remm MAWR-tiss � (excerpt from the St. Luke Passionby Krzysztof Penderecki [kur-ZIHSH-tahf penn-deh-RETTSS-kee])

In qual fiero contrasto � een kooAHL feeAY-ro kohn-TRAH-stoh � (recitative [reh-suh-tuh-TEEV] from the opera Così Fan tutte [ko-ZEE fahn TOO-tay] — All Women Do the Same;music by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart] andlibretto by Lorenzo da Ponte [lo-RAYN-tso dah POHN-tay])

In quali eccessi � een kooAH-lee ay-CHAYSS-see � (In what enormities) � (recitative [reh-suh-tuh-TEEV] from the opera Don Giovanni [dohn jo-VAHN-nee]; music by WolfgangAmadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart] and libretto by Lorenzo daPonte [lo-RAYN-tso dah POHN-tay])

In quali eccessi mi tradi quellalma ingrata� In quali eccessi - Mi tradi quellalma ingrata � eenkooAH-lee ay-CHAYSS-see - mee TRAH-dee kooayl-LAHL-mah een-GRAH-tah � (In whatenormities - That ungrateful man betrayed me) � (recitative [reh-suh-tuh-TEEV] and aria fromthe opera Don Giovanni [dohn jo-VAHN-nee]; music by Wolfgang Amadeus Mozart [VAWLF-

gahng ah-mah-DAY-ôôss MO-tsart] and libretto by Lorenzo da Ponte [lo-RAYN-tso dahPOHN-tay])

In quegl anni � In quegl' anni � een kooAY-ly’ AHN-nee � (aria from the opera Le nozze diFigaro [lay NOHT-tsay dee FEE-gah-ro] — The Marriage of Figaro; music by WolfgangAmadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart]; libretto by Lorenzo da Ponte[lo-RAYN-tso dah POHN-tay] after Pierre-Augustin Caron de Beaumarchais [peeehr-o-güss-teh6666 kah-raw6666 duh bo-mar-sheh])

In quelle trine morbide � een kell treen mawr-beed � (aria from the opera Manon Lescaut[mah-naw6666 less-ko]; music by Giacomo Puccini [JAH-ko-mo poo-CHEE-nee]; libretto byDomenico Oliva [doh-MAY-nee-ko o-LEE-vah] and Luigi Illica [looEE-jee eel-LEE-kah] afterAntoine-François Prévost [ah6666-twahn-frah6666-swah pray-vo]; additional contributions to thelibretto by Marco Praga [MAR-ko PRAH-gah], Ruggero Leoncavallo [rood-JAY-ro lay-ohn-kah-VAHL-lo], Giulio Ricordi [JOO-leeo ree-KOHR-dee], and Puccini)

In questa reggia � een kooAY-stah RAYD-jah � (excerpt from the opera Turandot [TOO-rahn-doht]; music by Giacomo Puccini [JAH-ko-mo poo-CHEE-nee]; libretto by GiuseppeAdami [joo-ZAYP-pay ah-DAH-mee] and Renato Simoni [ray-NAH-toh see-MO-nee] afterCarlo Gozzi [KAR-lo GOHT-tsee])

In questa tomba oscura � In questa tomba oscura � een kooAY-stah TOHM-bah o-SKOO-rah � (In This Dark Tomb) � (poem by Giuseppe Carpani [joo-ZAYP-pay kar-PAH-nee] setto music by Ludwig van Beethoven [LOOT-vihh funn BAYAY-toh-funn])

In questo semplice modesto asilo � een kooAY-stoh saym-PLEE-chay mo-DAY-stoh ah-ZEE-lo � (aria from the opera Betly [BAYT-lee]; music by Gaetano Donizetti [gahay-TAH-nodoh-nee-TSAYT-tee]; libretto by Donizetti after Eugène Scribe [ö-zhenn skreeb])

In solitaria stanza � een so-lee-TAH-reeah STAHN-tsah � (In a secluded room) � (poem byJacopo Vittorelli [YAH-ko-po veet-toh-RAYL-lee] set to music by Giuseppe Verdi � joo-ZAYP-pay VAYR-dee])

In taberna � inn tah-BAYR-nah � (In the Tavern) � (a group of poems from the 13th-century manuscript Carmina Burana [kar-MEE-nah boo-RAH-nah] set to music by Carl Orff[KARL AWRF])

In taberna quando sumus � inn tah-BAYR-nah kooAHN-doh SOO-môôss � (When we are inthe tavern) � (excerpt from In taberna [inn tah-BAYR-nah] — In the Tavern — a group ofpoems from the 13th-century manuscript Carmina Burana [kar-MEE-nah boo-RAH-nah] setto music by Karl Orff [KARL AWRF])

In te domine speravi � In te Domine speravi � inn tay DAW-mih-neh spay-RAH-vih �(composition by Jan Pieterszoon Sweelinck [YAHN PEE-turss-zohohn SWAYAY-lihngk])

In te speravi � inn tay spay-RAH-vih � (Gregorian chant)

In tempo piacevole � een TAYM-po peeah-chay-VO-lay

In tempore paschali � inn TAYM-paw-ray pah-SKAH-lih � (Mass by William Byrd [WILL-lihumm BURD])

In trutina � inn TRÔÔ-tih-nuh � (In the wavering balance) � (excerpt from Cour d’amours[kôôr dah-môôr] — The Court of Love — a group of poems from the 13th-century manuscriptCarmina Burana [kar-MEE-nah boo-RAH-nah] set to music by Carl Orff [KARL AWRF])

In trutina mentis dubia � inn TRÔÔ-tih-nuh MAYN-tiss DÔÔ-bihah � (Opposite courseshang in the balance of my wavering mind) � (excerpt from Cour d’amours [kôôr dah-môôr] —The Court of Love — a group of poems from the 13th-century manuscript Carmina Burana [kar-MEE-nah boo-RAH-nah] set to music by Carl Orff [KARL AWRF])

In un coupe � In un coupé? � een oon kôô-pay? � (duet from the opera La bohème [lahbaw-emm] — Bohemian Life; music by Giacomo Puccini [JAH-ko-mo poo-CHEE-nee];libretto by Luigi Illica [looEE-jee eel-LEE-kah] and Giuseppe Giacosa [joo-ZAYP-pay jah-KO-zah] after Henri Murger [ah6666-ree mür-zhay])

In un coupe o mimi tu piu non torni � In un coupé ... O Mimì, tu più non torni � een oon kôô-pay ... o mee-MEE, too peeOO nohn TOHR-nee � (duet from the opera La bohème [lah baw-emm] — Bohemian Life; music by Giacomo Puccini [JAH-ko-mo poo-CHEE-nee]; libretto byLuigi Illica [looEE-jee eel-LEE-kah] and Giuseppe Giacosa [joo-ZAYP-pay jah-KO-zah] afterHenri Murger [ah6666-ree mür-zhay])

In un coupe o mimi tu piu � In un coupé? ... O Mimì, tu più � een oon kôô-pay? ... o mee-MEE, too peeOO � (duet from the opera La bohème [lah baw-emm] — Bohemian Life; musicby Giacomo Puccini [JAH-ko-mo poo-CHEE-nee]; libretto by Luigi Illica [looEE-jee eel-LEE-kah] and Giuseppe Giacosa [joo-ZAYP-pay jah-KO-zah] after Henri Murger [ah6666-ree mür-zhay])

In unseren muhsalen trostet uns � In unseren Mühsalen tröstet uns � inn ÔÔN-zuh-runnMÜ-zah-lunn TRÖ-stutt ôôns � (In our miseries the only thing that consoles us) � (song byHanns Eisler [HAHNSS ����SS-lur])

In uomini � een ooo-MEE-nee � (aria featuring Despina [day-SPEE-nah] in the opera Così fantutte [ko-ZEE fahn TOOT-tay] — All Women Do the Same; music by Wolfgang AmadeusMozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart] and libretto by Lorenzo da Ponte [lo-RAYN-tso dah POHN-tay])

In waldeseinsamkeit � In Waldeseinsamkeit � inn VAHL-tuh-z����n-zahm-k����t � (In theLoneliness of the Forest) � (song by Johannes Brahms [yo-HAHN-nuss {BRAHMZ}BRAHAHMSS])

Inbal � Eliahu Inbal � eh-lee-AH-hoo een-BAHL

Inbrunst im herzen � Inbrunst im Herzen � INN-brôônst imm HEHR-tsunn � (aria from ActIII of the opera Tannhäuser [TAHN-hoy-zur], music and libretto by Richard Wagner [RIH-hartVAHG-nur])

Incarnatus � een-kur-NAH-tôôss � (section of the Latin mass set to music by variouscomposers)

Incarnatus est � Et incarnatus est � ett een-kur-NAH-tôôss esst � (section of the Latin massset to music by various composers)

Incenerite spoglie avara tomba � Incenerite spoglie, avara tomba � een-chay-nay-REE-taySPO-leeay, ah-VAH-rah TOHM-bah � (stanza from Lagrime d’amante al sepolcro dell’amata[lah-GREE-may dah-MAHN-tay ahl say-POHL-kro dayl-lah-MAH-tah] — tribute to adeceased singer by Scipione Agnelli [shee-peeO-nay ah-n’YAYL-lee] set to music by ClaudioMonteverdi [KLAHOO-deeo mohn-tay-VAYR-dee])

Indes galantes � Les Indes galantes � leh-zeh6666d gah-lah6666t � (The Amorous Indies) � (anopera-ballet [BAL-lay], with music by Jean-Philippe Rameau [zhah6666-fee-leep rah-mo] andlibretto by Louis Fuzelier [lôôee fü-z’leeay])

India � Sigismondo d’India � see-gheess-MOHN-doh DEEN-deeah

Indy � Vincent d’Indy � veh6666-sah6666 deh6666-dee � (known also as Paul-Marie-Théodore-Vincentd’Indy [pohl-mah-ree-tay-aw-dawr-veh6666-sah6666 deh6666-dee])

Ines � EE-nayss � (character in the opera Il trovatore [eel tro-vah-TOH-ray] — TheTroubadour; music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by SalvadoreCammarano [sahl-vah-DOH-ray kahm-mah-RAH-no] and Leone Emanuele Bardare [lay-O-nay ay-mah-nooAY-lay bar-DAH-ray] after Antonio García Gutiérrez [ahn-TOH-neeo gar-THEE-ah goo-teeAYR-rehth])

Infantas � Fernando de las Infantas � fehr-NAHN-doh day lahss een-FAHN-tahss

Infante � Manuel Infante � mah-nooELL een-FAHN-tay

Infausto imene havvi un dio � Infausto Imene; Havvi un dio � een-FAHÔÔ-stoh ee-MAY-nay;AHV-vee oon DEE-o � (aria from the opera Maria di Rohan [mah-REE-ah dee RO-hahn];music by Gaetano Donizetti [gahay-TAH-no doh-nee-TSAYT-tee] and libretto by SalvadoreCammarano [sahl-vah-DOH-ray kahm-mah-RAH-no])

Infelici e tu credevi � Infelice! e tu credevi � een-fay-LEE-chay! ay too kray-DAY-vee �excerpt from the opera Ernani [ayr-NAH-nee]; music by Giuseppe Verdi [joo-ZAYP-payVAYR-dee] and libretto by Francesco Maria Piave [frahn-CHAY-sko mah-REE-ah peeAH-

vay])

Infelici miei lumi � een-fay-LEE-chee meeAYEE LOO-mee � (Wretched Eyes of Mine) �(largo from the cantata [kunn-TAH-tuh] Su le sponde de Tebro [soo lay SPOHN-day dayTAY-bro] — On the Banks of the Tiber — by Alessandro Scarlatti [ah-layss-SAHN-dro skar-LAHT-tee])

Infelix anima� een-FAY-leekss UH-nih-muh � (character in Ordo virtutum [OHR-doh veer-TOO-tôôm], a musical drama by Hildegard von Bingen [HILL-tuh-gart fawn BIHNG-unn])

Infernal dance of king kastchei � Infernal Dance of King Kastchei � (Infernal Dance of King)kahst-SHAYEE � (excerpt from the Firebird Suite by Igor Stravinsky [EE-gur strah-VINN-skee])

Infidelite � Infidelité � eh6666-fee-deh-lee-tay � (Unfaithfulness) � (poem by Théophile Gautier[tay-aw-feel go-teeay] set to music by Reynaldo Hahn [ray-NAHL-doh HAHN])

Infinito � L’Infinito � leen-FEE-nee-toh � (text by Giacomo Leopardi [JAH-ko-mo lay-o-PAR-dee] set to music by Tristan Keuris [TRISS-tahn KÖ-riss])

Inflammatus et accensus � een-flahm-MAH-tôôss ett ah-CHAYN-sôôss � (section of theLatin Stabat Mater [STAH-baht MAH-tehr] set to music by various composers)

Infortunes deesse tutelaire � O des infortunés déesse tutélaire � o day -zeh6666-fawr-tü-nay day-ess tü-tay-lehr � (excerpt from the opera La Vestale [lah vay-STAH-lay] — The Vestal Virgin;music by Gaspare Spontini [gah-SPAH-ray spohn-TEE-nee] and libretto by Étienne de Jouy[ay-teeenn duh zhôôee])

Ingarden � Roman Ingarden � RAW-mahn een-GAR-denn � (known also as Roman WitoldIngarden [RAW-mahn VEE-tawlt een-GAR-denn])

Ingeborg � IHNG-uh-bawry’ � (Swedish female given name)

Ingebretsen � Kjell Ingebretsen � SHELL IHNG-eh-brett-senn

Ingegneri � Marc’Antonio Ingegneri � MARK-ahn-TAW-neeo een-gay-n’YAY-ree

Ingemisco � een-jeh-MEE-sko � (section of the Latin requiem [{REH-kôôee-umm} REH-kôôih-emm] set to music by various composers)

Ingemisco tamquam reus� inn-jeh-MEESS-ko TAHM-kôôumm REH-ôôss � (excerpt fromRequiem [RAY-kooee-aym] — American pronunciation: REH-kôôee-umm; Latin pronunciation:REH-kôôih-emm — by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee])

Ingen � Ibb van Ingen � IPP funn IHNG-unn

Ingenhoven � Jan Ingenhoven � YAHN IHNG’n-ho-vunn

Ingerimaa ohtud � Ingerimaa Õhtud � INN-gheh-rih-mahah ÔÔK-tôôt � (Ingrian [INN-grihunn] Evenings � (cycle of Balto-Finnic folk songs arranged by Veljo Tormis [VELL-yoTOHR-miss])

Inghelbrecht � Désiré-Émile Inghelbrecht � day-zee-ray-ay-meel IHNG’l-brehht

Inghilleri � Giovanni Inghilleri � jo-VAHN-nee een-gheel-LAY-ree

Ingliss � Robert Ingliss � RAH-burt IHNG-gliss

Ingoldsby � Marian Ingoldsby � MA-rihunn IHNG-g’lz-bee

Ingraham � Paul Ingraham � PAWL IHNG-grumm

Inno a diana � Inno a Diana � EEN-no ah dee-AH-nah � (Hymn to Diana) � (song byGiacomo Puccini [JAH-ko-mo poo-CHEE-nee])

Inno delle nazioni � EEN-no DAYL-lay nah-tseeO-nee � (Hymn of the Nations) �(composition by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee])

Innocentia � een-naw-CHAYN-tihuh � (character in Ordo virtutum [OHR-doh veer-TOO-tôôm], a musical drama by Hildegard von Bingen [HILL-tuh-gart fawn BIHNG-unn])

Innuebant patri � een-nôô-AY-bunnt PAH-trih � (composition by Claudio Monteverdi[KLAHOO-deeo mohn-tay-VAYR-dee])

Inquieto � een-kooee-AY-toh � (excerpt from “Octoéchos” [awk-toh-AY-kawss] for DoubleString Quartet and Soprano by Michelle Ekizian [mih-SHELL eh-KEE-zihunn])

Ins stille land � Ins Stille Land � innss SHTILL-luh LAHNT � (song by Franz Schubert[FRAHNTSS SHOO-bert])

Insanguine � Giacomo Insanguine � JAH-ko-mo een-SAHN-gooee-nay � (known also asGiacomo Antonio Francesco Paolo Michele Insanguine [JAH-ko-mo ahn-TAW-neeo frahn-CHAY-sko PAHO-lo mee-KAY-lay een-SAHN-gooee-nay] and Monopoli [mo-NO-po-lee])

Inseparabile damore il dio e il sol dell anima che mami deh ripetime addio addio speranza edanima � Ah inseparabile d’amore il Dio ... E’ il sol dell’ anima ... Che m’ami, deh, ripetimi ...Addio, addio, speranza ed anima � AH een-say-pah-RAH-bee-lay dah-MO-ray eel DEE-o ...ay eel sohl dayl-LAH-nee-mah ... kay MAH-mee, day, ree-PAY-tee-mee ... ahd-deeO, ahd-deeO, spay-RAHN-tsah ay-DAH-nee-mah � (duet from Act 1 of the opera Rigoletto [ree-go-LAYT-toh]; music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Francesco MariaPiave [frahn-CHAY-sko mah-REE-ah peeAH-vay] after Victor Hugo [{VICK-tur h’YOO-go}

veek-tawr ü-go])

Insomma io ho tutti i torti � Insomma io ho tutti i torti ... � een-SOHM-mah eeo ho TOO-teeee TOHR-tee ... � (excerpt from the opera Il barbiere di Siviglia [eel bar-beeAY-ray dee see-VEE-leeah] — The Barber of Seville [suh-VILL]; music by Gioachino Rossini [johah-KEE-norohss-SEE-nee]; libretto by Cesare Sterbini [chay-ZAH-ray stayr-BEE-nee] after Pierre-Augustin Caron de Beaumarchais [peeehr-o-güss-teh6666 kah-raw6666 duh bo-mar-sheh] andGiuseppe Petrosellini [joo-ZAYP-pay pay-tro-zayl-LEE-nee])

Insomma mio signore � Insómma, mio signore � een-SOHM-mah, MEE-o see-n’YO-ray �(excerpt from the opera Il barbiere di Siviglia [eel bar-beeAY-ray dee see-VEE-leeah]; — TheBarber of Seville [suh-VILL]; music by Gioachino Rossini [johah-KEE-no rohss-SEE-nee];libretto by Cesare Sterbini [chay-ZAH-ray stayr-BEE-nee] after Pierre-Augustin Caron deBeaumarchais [peeehr-o-güss-teh6666 kah-raw6666 duh bo-mar-sheh] and Giuseppe Petrosellini [joo-ZAYP-pay pay-tro-zayl-LEE-nee])

Insula � Francus de Insula � frah6666-küss duh eh6666-sü-lah

Insull � Bonnie Insull � BAHN-nee INN-s'l

Intanto amici � een-TAHN-toh ah-MEE-chee � (excerpt from the opera Cavalleriarusticana [kah-vahl-lay-REE-ah roo-stee-KAH-nah] — Rustic Chivalry; music by PietroMascagni [peeAY-tro mah-SKAH-n’yee]; libretto by Guido Menasci [gooEE-doh may-NAH-shee] and Giovanni Targioni-Tozzetti [jo-VAHN-nee tar-JO-nee-toht-TSAYT-tee] afterGiovanni Verga [jo-VAHN-nee VAYR-gah])

Intemerata � O intemerata � o een-tay-may-RAH-tah � (motet by Alessandro Grandi [ah-layss-SAHN-dro GRAHN-dee])

Inten � Ferdinand Inten � {FUR-duh-nannd INN-tunn} FEHR-tee-nahnt INN-tunn

Inter natos � EEN-tehr NUH-tohss � (composition by Claudio Monteverdi [KLAHOO-deeomohn-tay-VAYR-dee])

Inter natos mulierum � Inter Natos Mulierum � EEN-tehr NUH-tohss môô-lihEH-rôôm �(section of the Latin mass set to music by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart])

Intermede � Intermède � een-tehr-medd � (Intermezzo) � (excerpt from Le Bal Masqué[luh bahl mahss-kay] — The Masked Ball — a secular cantata [kunn-TAH-tuh] by FrancisPoulenc [frah6666-seess pôô-lah6666k])

Intermezzi � een-tayr-MAYT-tsee � (compositions by Johannes Brahms [yo-HAHN-nuss{BRAHMZ} BRAHAHMSS])

Intermezzo � een-tayr-MAYT-tso � excerpt from the opera Cavalleria rusticana [kah-vahl-lay-REE-ah roo-stee-KAH-nah] — Rustic Chivalry; music by Pietro Mascagni [peeAY-tromahss-KAHN-yee]; libretto by Guido Menasci [gooEE-doh may-NAH-shee] and GiovanniTargioni-Tozzetti [jo-VAHN-nee tar-JO-nee-toht-TSAYT-tee] after Giovanni Verga [jo-VAHN-nee VAYR-gah])

Intermezzo � een-ter-MEHTH-tho � (composition by Enrique Granados [ayn-REE-kaygrah-NAH-thawss])

Intermezzo � inn-tur-METT-tso � (song from Spanische Liebes-Lieder [SHPAHAH-nih-shuhLEE-buss-LEE-dur] — Spanish Love Songs — by Robert Schumann [ROHOH-bert SHOO-mahn]) � (poem by Joseph von Eichendorff [YOHOH-zeff fawn ����-hunn-tawrf] set to music byRobert Schumann [ROHOH-bert SHOO-mahn] in the song cycle Liederkreis [LEE-dur-kr����ss])� (movement from the First Suite in E Flat by Gustav Holst [GUSS-tuvv HOHLST]) �(various compositions by Johannes Brahms [yo-HAHN-nuss {BRAHMZ} BRAHAHMSS]) �(composition by Sir Edward Elgar [EDD-wurd ELL-gar] from Variations on an OriginalTheme, Enigma)

Intermezzo from goyescas / Intermezzo from “Goyescas” / een-tehr-METH-tho (from) go-YAYSS-kahss / (Goyescas is an opera, with music by Enrique Granados [ayn-REE-kay grah-NAH-thawss] and libretto by Fernando Periquet y Zuaznabar [fehr-NAHN-doh pay-ree-KETTee thooath-nah-VAR])

Intermezzo in a flat � Intermezzo in A-Flat � een-tayr-mayt-tso (in A-Flat) � (compositionby Francis Poulenc [frah6666-seess pôô-lah6666k])

Intermezzo scherzando � een-tayr-MAYT-tso skayr-TSAHN-doh

Intesi ah tutto intesi � Intesi; ah tutto intesi � een-TAY-zee; ah TOOT-toh een-TAY-zee �(I heard; I heard It all] � (aria from the opera Il Turco in Italia [eel TOOR-ko een ee-TAH-leeah]; music by Gioachino Rossini [jokah-KEE-no rohss-SEE-nee] and libretto by Felice Romani[fay-LEE-chay ro-MAH-nee])

Intino � Luciano d'Intino � loo-CHAH-no deen-TEE-no

Intonatio � een-toh-NAH-teeo � (composition by Claudio Monteverdi [KLAHOO-deeo mohn-tay-VAYR-dee])

Intonazione � een-toh-nah-tseeO-nay � (section for organ from the First Vespers of theAnnunciation of the Blessed Virgin after Giovanni Gabrieli [jo-VAHN-nee gahb-reeAY-lee])

Intorno allidol mio � Intorno all’idol mio � een-TOHR-no ahl-LEE-dohl MEE-o � (Gentle,Pleasant Breezes) � (song by Antonio Cesti [ahn-TAW-neeo CHAY-stee])

Intrada � een-TRAH-dah � (section of the Glagolitic [gla-go-LIH-tick] Mass set to music

by Leoš Janá�ek [LEH-awsh yah-NAHAH-check]) � (anonymous composition) � (compositionby Gordon Jacob [GAWR-d’n JAY-kubb])

Introduction and rondo capriccioso � (Introduction and) ROHN-doh kah-pree-CHO-zo �(suite by Camille Saint-Saëns [{kah-meel seh6666-sah6666ss} kah-meey’ seh6666-sah6666ss])

Introduction and variations on malborough sen vaten guerre � Introduction and Variations on“Malborough s’en va-t-en guerre” � (Introduction and variations on) mahl-bro sah6666 vah-tah6666 ghehr � (composition by Fernando Sor [fehr-NAHN-doh SAWR])

Introduction et rondo capriccioso � Introduction et Rondo Capriccioso � eh6666-traw-dük-seeaw6666ay ROHN-doh kah-pree-CHO-zo � (suite by Camille Saint-Saëns [{kah-meel seh6666-sah6666ss}kah-meey’ seh6666-sah6666ss])

Introduxit me rex � een-tro-DOOK-sitt may raykss � (motet [mo-TETT] by Giovanni daPalestrina [jo-VAHN-nee dah pah-lay-STREE-nah])

Introit � EEN-traw-itt � (section of the Latin mass set to music by various composers)

Introit et kyrie � Introit et Kyrie � EEN-traw-itt ett KÜ-reeay � (section of the Latin massset to music by various composers)

Introit for a feast day � Introit for a Feast Day � EEN-traw-itt (for a feast day) �(composition by Gerre Hanco*ck [JEHR-ree HANN-kahk])

Introitus � een-TRAW-ih-tôôss � (section of the Latin mass set to music by variouscomposers)

Inveni david � Inveni David � inn-VAY-nee DAH-fitt � (motet [mo-TETT] by AntonBruckner [AHN-tohohn BRÔÔK-nur])

Invention en do majeur � eh6666-vah6666-seeaw6666 ah6666 doh mah-zhör � (Invention in C major) �(composition by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn BAHK])

Inverno � L’inverno � leen-VAYR-no � (Winter) � (from Le quattro stagioni [lay kooAHT-tro stah-JO-nee] — The Four Seasons — by Antonio Vivaldi [ahn-TAW-neeo vee-VAHL-dee])

Invitation au voyage � L’Invitation au voyage � leh6666-vee-tah-seeaw6666 o vwah-yahzh �(Invitation to a Journey) � (poem by Charles Baudelaire [sharl bo-d’lehr] set to music by HenriDuparc [ah6666-ree dü-park])

Invitato a qui seguirmi ogni suo aver tal femmina � Invitato a qui seguirmi / Ogni suo aver talfemmina � een-vee-TAH-toh ah kooee say-gooEER-mee / O-n’yee SOO-o AH-vayr tahl

faym-MEE-nah � (duet featuring Violetta [vee-o-LAYT-tah] and Alfredo [ahl-FRAY-doh] inthe opera La traviata [lah trah-veeAH-tah] — The Worldly Woman; music by Giuseppe Verdi[joo-ZAYP-pay VAYR-dee]; libretto by Francesco Maria Piave [frahn-CHAY-sko mah-REE-ah peeAH-vay] after Alexandre Dumas [ah-leck-sah6666-dr’ dü-mah])

Invitatorium circundederunt me � een-vee-tah-TOH-reeôôm seer-koon-day-day-ROONTmay � (chant from the Cancionero de Segovia [kahn-theeo-NAY-ro day say-GO-veeah] —Songbook of Segovia — containing liturgical music from Spain at the time of ChristopherColumbus)

Invito � L’invito � leen-VEE-toh � (song by Gioachino Rossini [johah-KEE-no rohss-SEE-nee])

Invito trascorsa e gia lora � Dell’invito trascorsa è già l’ora � dayl-leen-VEE-toh trahss-KOHR-sah ay JAH LO-rah � (septet with chorus from the opera La traviata [lah trah-veeAH-tah] — The Worldly Woman; music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee];libretto by Francesco Maria Piave [frahn-CHAY-sko mah-REE-ah peeAH-vay] after AlexandreDumas [ah-leck-sah6666-dr’ dü-mah])

Invocation et danse hommage a manuel de falla � Invocation et danse (Hommage à Manuel deFalla) � eh6666-vaw-kah-seeaw6666 ay dah6666ss (awm-mazh ah mah-nooELL day {FAH-yah} FAH-l’yah) — Invocation and Dance (Homage to Manuel de Falla) — by Joaquín Rodrigo [ho-ah-KEEN rohd-REE-go])

Inzenga � José Inzenga � ho-SAY een-THAYN-gah � (known also as José Inzenga yCastellanos [ho-SAY een-THAYN-gah ee kahss-tay-l’YAH-nawss])

Io mi son giovinetta � eeo mee sohn jo-vee-NAYT-tah � (I Am but a Young Girl) � (madrigal[MADD-rih-gull] by Claudio Monteverdi [KLAHOO-deeo mohn-tay-VAYR-dee])

Io muoio non imprecare � Io muoio!; Non imprecare � eeo mooO-eeo!; nohn eem-pray-KAH-ray � (quartet from the opera La forza del destino [lah FOHR-tsah dayl day-STEE-no] —The Force of Destiny; music by Giuseppe Verdi [joo-ZAY-pay VAYR-dee]; libretto byFrancesco Maria Piave [frahn-CHAY-sko mah-REE-ah peeAH-vay] after Angel P. DeSaavedra [ahn-HELL (P.) day sah-VAY-drah])

Io non son pero morto � Io non son però morto � eeo nohn sohn pay-RO MOR-toh � (I AmNot, However, Dead) � (a madrigal [MADD-rih-gull], with music by Giaches de Wert[ZHAHSH deh VEHRT] and lyric by Francesco Petrarca [frahn-CHAY-sko pay-TRAR-kah])

Io parto � eeo PAR-toh � (madrigal [MADD-rih-gull] by Carlo Gesualdo � [KAR-lo jay-zooAHL-doh])

Io son la primavera � eeo sohn lah pree-mah-VAY-rah � (I Am Spring) � (madrigal[MADD-rih-gull] by William Hawley [WILL-lihumm HAW-lee)

Io son lumile ancella� eeo sohn loo-MEE-lay ahn-CHAYL-lah � (aria from the opera AdrianaLecouvreur [ah-dree-ah-nah luh-kôôv-rör]; music by Francesco Cilea [frahn-CHAY-sko chee-LAY-ah]; libretto by Arturo Colautti [ar-TOO-ro ko-LAHOOT-tee] after Eugène Scribe [ö-zhenn skreeb] and Ernest Legouvé [ehr-nesst luh-gôô-vay])

Io son pur vezzosetta pastorella � yo SOHN poor vayt-tso-ZAYT-tah pah-sto-RAYL-lah �(I Am a Charming Little Shepherdess) � (vocal duet by Claudio Monteverdi [KLAHOO-deeomohn-tay-VAYR-dee])

Io son titania � Io son Titania � eeo sohn tee-TAH-neeah � (aria from the opera Mignon[mee-n’yaw6666]; music by Ambroise Thomas [ah6666-br’wahz taw-mah]; libretto by Jules Barbier[zhül bar-beeay] and Michel Carré [mee-shell kar-ray] after Johann Wolfgang von Goethe [YO-hahn VAWLF-gahng fawn GÖ-tuh])

Io sono docile � Io sono dócile � eeo SO-no DOH-chee-lay � (excerpt from the opera Ilbarbiere di Siviglia [eel bar-beeAY-ray dee see-VEE-leeah] — The Barber of Seville [suh-VILL]; music by Gioachino Rossini [johah-KEE-no rohss-SEE-nee]; libretto by Cesare Sterbini[chay-ZAH-ray stayr-BEE-nee] after Pierre-Augustin Caron de Beaumarchais [peeehr-o-güss-teh6666 kah-raw6666 duh bo-mar-sheh] and Giuseppe Petrosellini [joo-ZAYP-pay pay-tro-zayl-LEE-nee])

Io tacero invan dunque � Io tacerò - Invan dunque � eeo tah-chay-RO - EEN-vahn DOON-kooay � (I Will Be Silent) � (madrigal [MADD-rih-gull] by Carlo Gesualdo � [KAR-lo jay-zooAHL-doh])

Io ti sento � eeo tee SAYN-toh � (song by Francesco Paolo Tosti [frahn-CHAY-sko PAHO-lo TOH-stee])

Io vi vorrei veder tutta baciata � eeo vee vawr-RAYEE VAY-dayr TOOT-tah bah-CHAH-tah� (song by Francesco Paolo Tosti [frahn-CHAY-sko PAHO-lo TOH-stee])

Io vuo cantar di cadmo � Io vuo’ cantar di Cadmo � eeo vooO kahn-TAR dee KAHD-mo � (IWish to Sing of Cadmus) � (poem translated to the Italian by Craigher de Jachelutta(?)[KRAHEE-gher day yah-kay-LOOT-tah] and set to music by Franz Schubert [FRAHNTSSSHOO-bert])

Io vuo cantar di cadmo alla cetra � Io vuo’ cantar di Cadmo (Alla cetra) � eeo vooO kahn-TARdee KAHD-mo (AHL-lah CHAY-trah) � (I Wish to Sing of Cadmus (To the Lyre)) � (poemtranslated to the Italian by Craigher de Jachelutta(?) [KRAHEE-gher day yah-kay-LOOT-tah]and set to music by Franz Schubert [FRAHNTSS SHOO-bert])

Ioannidis � Yannis Ioannidis � YAHN-neess eeo-ahn-NEE-theess

Iolanta � eeaw-lah6666-tah � (an opera, with music by Peter Ilyich Tchaikovsky [p’YAW-t’r ill-YEECH {chahih-KAWF-skee} chay-KAWF-skee] and libretto by Modest Ilyich Tchaikovsky

[mah-DYESST ill-YEECH {chahih-KAWF-skee} chay-KAWF-skee] after Henrik Hertz[HENN-rick HEHRTSS]) � (also a character in the opera) / (other spellings are Iolanthe andJolanthe)

Iolanthe � (see Iolanta)

Ionita � Alexandru Ionita � ah-leck-SAHN-droo eeo-NEE-tah

Iove cum mercurio � Iove cum Mercurio � EEO-veh koom mayr-KÔÔ-riho � (My love (avirgo) was born) � (excerpt from the 13th-century manuscript Carmina Burana [kar-MEE-nahboo-RAH-nah])

Iparraguirre y balerdi � José María de Iparraguirre y Balerdí � ho-SAY mah-REE-ah day ee-par-rah-GHEER-ray ee bah-lehr-DEE

Ipavec � Benjamin Ipavec � BENN-yuh-minn IH-puh-vettss

Iphigenie � Iphigénie � ee-fee-zhay-nee � (character in the opera Iphigénie en Tauride [ee-fee-zhay-nee ah6666 toh-reed]; music by Christoph Willibald von Gluck [KRIH-stawf VILL-lee-bahlt fawn GLÔÔK]; libretto by Nicolas-François Guillard [NEE-ko-lah-frah6666-swah ghee-yar], based on Euripides [yôô-RIH-puh-deez])

Iphigenie en tauride � Iphigénie en Tauride � ee-fee-zhay-nee ah6666 toh-reed � (an opera, withmusic by Christoph Willibald von Gluck [KRIH-stawf VILL-lee-bahlt fawn GLÔÔK]; librettoby Nicolas-François Guillard [nee-ko-lah-frah6666-swah ghee-yar], based on Euripides [yôô-RIH-puh-deez])

Iphis � ����-fiss � (character in the oratorio Jephtha [JEFF-thuh]; music by George FridericHandel [JAW-urj FRIH-duh-rick HANN-d’l] and libretto by Thomas Morell [TAH-mussmaw-RELL] after Judges XI and G. Buchanan [G. buh-KA-nunn])

Ippolitof iwanof � Mikhail Ippolitof-Iwanof � mee-kahEEL eep-pah-LYEE-tuff-ee-vah-NAWF � (known also as Mikhail Mikhailovich [mee-KAHEE-luh-vihch] Ippolitof-Ivanof ) �(the hyphenated last name is generally spelled with terminal v’s)

Ippolitov ivanov � Mikhail Ippolitov-Ivanov � mee-kahEEL eep-pah-LYEE-tuff-ee-vah-NAWF � (known also as Mikhail Mikhailovich [mee-KAHIH-luh-vihch] Ippolitov-Ivanov) �(the hyphenated last name is sometimes spelled with terminal f’s)

Ipuche riva � Pedro Ipuche-Riva � PAY-dro ee-POO-chay-REE-vah

Ir kleyne likhtelekh � O ir kleyne Likhtelekh � oy ihr KL����-nuh LIHK-tuh-lehk � (O, YouLittle Candles — Hebrew folk melody, words by Morris Rosenfeld [MAWR-russ RO-z’n-felld])

Ir me quero � eer may KAY-ro � (traditional song of the Spanish Jews)

Iradier � Sebastián de Iradier � say-bahss-teeAHN day ee-rah-theeEHR � (the last name isalso spelled Yradier [ee-rah-theeEHR])

Irdische leben � Das irdische Leben � dahss EER-tih-shuh LAY-bunn � (Life on Earth) �(poem from Des Knaben Wunderhorn [dess k’NAHAH-bunn VÔÔN-tur-hawrn] — The Youth’sMagic Horn — set to music by Gustav Mahler [GÔÔ-stahf MAHAH-lur])

Irene � ee-RAY-nuh � (character in the cantata [kunn-TAH-tuh] Tönet, ihr Pauken!Erschallet, Trompeten [TÖ-nutt, eer PAHÔÔ-kunn! ehr-SHAHL-lutt, trawm-PAY-tunn] —Sound, Ye Drums! Resound, Trumpets! — by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn BAHK])

Irgens jensen � Ludvig Irgens Jensen � LEWD-vigg IHR-ghennss YENN-s’n � (knownalso as Ludvig Paul [PAEWL] Irgens Jensen)

Iriarte � Tomás de Iriarte � toh-MAHSS day ee-reeAR-tay � (the last name is also spelledYriarte [ee-reeAR-tay])

Irina � ee-REE-nah � (character in the musical production Trouble Man, music by Kurt Weill[KÔÔRT V����L] and words by Maxwell Anderson [MACKSS-well ANN-dur-sunn])

Irino � Yoshir� Irino � yaw-shee-lawaw ee-lee-naw

Iris � {����-russ} EE-reess � (an opera, with music by Pietro Mascagni [peeAY-tro mah-SKAH-n’yee] and libretto by Luigi Illica [looEE-jee eel-LEE-kah]; also a character in the opera)

Irme quiero madre � Irme Quiero Madre � EER-may keeAY-ro MAH-dray � (anonymousSephardic [seh-FAR-dick] (Spanish Jews) composition, about 1500 AD)

Irrgang � Heinrich Bernhard Irrgang � H����N-rihh BEHRN-hart IHR-gahng

Irrlicht � IHR-lihht � (Will-o'-the-Wisp) � (poem by Wilhelm Müller [VILL-hellm MÜL-lur]set to music by Franz Schubert [FRAHNTSS SHOO-bert] in the song cycle Winterreise[VINN-tur-r����-zuh] — The Winter's Journey)

Isaac � Adèle Isaac � ah-dell ee-sahk

Isaac � Heinrich Isaac � H����N-rihh ee-ZACK � (the last name is also spelled Isaak, Izak,Yzac, and Ysack)

Isaak � Heinrich Isaak � H����N-rihh ee-ZACK � (the last name is also spelled Isaac, Izak,Yzac, and Ysack)

Isaakian � ih-sah-kihAHN

Isang � Yun, Isang � YÔÔN, EE-HAHNG

Isamitt � Carlos Isamitt � KAR-lawss ee-sah-MEET

Isbin � Sharon Isbin � SHA-runn IZZ-binn

Iseler � Elmer Iseler � ELL-mur ����-s’lur � (known also as Elmer Walter [WAWL-tur]Iseler)

Isepp � Martin Isepp � {MAR-t’n EE-supp} MAR-teen EE-zupp � (known also as MartinJohannes Sebastian [yo-HAHN-nuss zay-BAH-stihahn] Isepp)

Isham � Mark Isham � MARK ����-shumm

Ishii � Kan Ishii � kah6666-nee-sheeee

Ishii � Maki Ishii � mahk ee-sheeee

Ishum � ����-shumm

Isidore of seville � Isidore of Seville � ee-see-THO-ray (of) say-VEE-l’yay

Isis und osiris � O Isis und Osiris � o EE-ziss ôônt o-ZEE-riss � (The Priests’ Chorus fromthe opera Die Zauberflöte [dee TSAHÔÔ-bur-flö-tuh] — the Magic Flute; music by WolfgangAmadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart] and libretto by EmanuelSchikaneder [ay-MAHAH-nooayl SHEE-kah-nay-dur])

Isle adam � Villiers de l'Isle-Adam � vee-leeay duh leel-ah-dah6666

Isle joyeuse � L’isle joyeuse � leel zh’wah-yöz � (The Happy Isle) � (composition byClaude Debussy [klohd deh-büss-see])

Isler � Ernst Isler � EHRNST ISS-lur

Isoldes liebestod � Isoldes Liebestod � ee-ZAWL-tuss LEE-buss-toht � (Isolde's LoveDeath) � (aria from the opera Tristan und Isolde [TRIH-stahn ôônt ee-ZAWL-tuh], music andlibretto by Richard Wagner [RIH-hart VAHG-nur])

Isolfsson � Páll Ísólfsson � PAL EE-sawlf-sunn

Isolier � ee-zo-leeay � (character in the opera Le Comte Ory [luh kaw6666t aw-ree] — Count Ory;music by Gioachino Rossini [johah-KEE-no rohss-SEE-nee]; libretto by Eugène Scribe [ö-zhennskreeb] and Charles-Gaspard Delestre-Poirson [sharl-gahss-par d’less-tr’-pwar-saw6666])

Isomura � Kazuhide Isomura � kah-zoo-hee-deh ee-saw-moo-lah

Ison � Daniel Ison � DA-nihull ����-s'n

Isouard � Nicolò Isouard � nee-kaw-lo ee-sôôar � (known also as Nicolò [nee-kaw-lo] andNicolò de Malte [nee-kaw-lo duh mahlt])

Isselis � Steven Isselis � STEE-vunn ISS-suh-liss

Isserlis� Annette Isserlis � ann-NETT ISS-sur-liss

Isserlis� Julius Isserlis � {JOO-lihuss ISS-sur-liss} YOO-lihôôss iss-SEHR-lyiss

Isserstedt � Hans Schmidt-Isserstedt � HAHNSS SHMITT-ISS-sur-shtett

Ist ein allgemeines lamento der freunde � Ist ein allgemeines Lamento der Freunde � isst ����nahl-guh-M����-nuss lah-MENN-toh dayr FROYN-tuh � (excerpt from Capriccio [kah-PREE-cho] on the Departure of His Most Beloved Brother by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn BAHK])

Ist ein floten und geigen � Das ist ein Flöten und Geigen � dahss isst ����n FLÖ-tunn ôôntGH����-gunn � (Flutes and Fiddles Are Playing) � (poem by Heinrich Heine [H����N-rihh H����-nuh]set to music by Robert Schumann [ROHOH-bert SHOO-mahn])

Ist ein traum � Ist ein Traum � isst ����n TRAHÔÔM � (aria from the opera Der Rosenkavalier[dayr RO-zunn-kah-fah-leer] — The Knight of the Rose; music by Richard Strauss [RIH-hartSHTRAHÔÔSS] and libretto by Hugo von Hofmannsthal [HOO-go fawn HAWF-mahn-stahl])

Ist eine schmeichelung der freunde um denselben von seiner reise abzuhalten � Ist eineSchmeichelung der Freunde, um denselben von seiner Reise abzuhalten � isst ����-nuh SHM����-huh-lôông dayr FROYN-tuh, ôôm denn-ZELL-punn fawn Z����-nur R����-zuh ahp-tsoo-HAHL-tunn� (excerpt from Capriccio [kah-PREE-cho] on the Departure of His Most Beloved Brother byJohann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn BAHK])

Ist eine vorstellung unterschiedlicher cassum die ihm in der fremde konnten vorfallen � Ist eineVorstellung unterschiedlicher Cassum, die ihm in der Fremde konnten vorfallen � isst ����-nuh for-SHTELL-lôông ÔÔN-tur-sheet-lih-hur KAHSS-sôôm, dee EEM inn dayr FREMM-tuhKAWN-tunn fohr-FAHL-lunn � (excerpt from Capriccio [kah-PREE-cho] on the Departureof His Most Beloved Brother by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK}zay-BAH-stihahn BAHK])

Ist nicht ephraim mein teurer sohn � Ist nicht Ephraim mein teurer Sohn � isst nihht EH-frahihm m����n TOY-rur ZOHN � (motet [mo-TETT] by Heinrich Schütz [H����N-rihh SHÜTSS])

Ist verraten � Es ist verraten � ess isst fehr-RAH-tunn � (composition by Robert Schumann[ROHOH-bert SHOO-mahn])

Istampita tre fontane � Istampita “Tre Fontane” � ee-stah6666-pee-tah “treh faw6666-tahn” �(Istampita “Three Fountains”) � (anonymous composition)

Iste puer magnus nam et manus � Iste puer magnus — Nam et manus � EE-steh PÔÔ-ehrMAH-n’yôôss — NUMM ett MUH-nôôss � (composition by Claudio Monteverdi [KLAHOO-deeo mohn-tay-VAYR-dee])

Istel � Edgar Istel � {EDD-gur ISS-tull} ETT-gar ISS-tull

Istomilas ya gorem� Akh! Istomilas ya gorem � AHK! iss-tah-MEE-luss yah GAW-remm �(Oh, I am weary of sorrow) � (Aria featuring Lisa [LEE-suh] in the opera Pique dame [peekdahm] — The Queen of Spades; music by Peter Ilyich Tchaikovsky [p’YAW-t’r ill-YEECH{chahih-KAWF-skee} chay-KAWF-skee]; libretto by Modest Tchaikovsky [mah-DYESST{chahih-KAWF-skee} chay-KAWF-skee] after Alexander Sergeyevich Pushkin [uh-lyick-SAHN-d’r sehr-GAY-yeh-vihch POOSH-kinn])

Istomin � Eugene Istomin � yôô-JEEN ISS-taw-minn � (known also as Eugene George[JAW-urj] Istomin)

Istrate � Mircea Istrate � MEER-cheeah eess-TRAH-teh

Istvan � Miloslav Ištvan � MIH-law-slahf IHSHT-vahn

Isum � (misspelled version of Ishum [����-shumm])

Isuri eepos � Isuri Eepos � IH-sôô-rih AY-pôôss � (song from Izhorian [ih-ZHO-rihunn]Epic, a cycle of Balto-Finnic folk songs arranged by Veljo Tormis [VELL-yo TOHR-miss])

Itai � Avner Itai � AHV-nehr ee-TAHEE

Italiana � ee-tah-leeAH-nah

Italiana in algeri � L'italiana in Algeri � lee-tah-leeAH-nah een ahl-JAY-ree � (The ItalianGirl in Algiers) � (an opera, with music by Gioachino Rossini [johah-KEE-no rohss-SEE-nee]and libretto by Angelo Anelli [ahn-JAY-lo ah-NAYL-lee])

Italienisches konzert f dur � Italienisches Konzert F-dur � ih-tah-lihAY-nih-shuss KAWN-tsehrt F DOOR � (Italian Concerto in F Major) � (composition by Johann Sebastian Bach[YO-hahn {suh-BASS-tihunn BAHK} zay-BAH-stihahn BAHK])

Italienne � ee-tah-leeenn � (Italian) � (character in the opera Médée [may-day]; music byMarc Antoine Charpentier [mark ah6666-twahn shar-pah6666-teeay] and libretto by Pierre Corneille[peeehr kawr-nehy’])

Italienne � Une Italienne � ün ee-tah-leeenn � (An Italian) � (character in the opera Médée

[may-day]; music by Marc Antoine Charpentier [mark ah6666-twahn shar-pah6666-teeay] and librettoby Pierre Corneille [peeehr kawr-nehy’])

Italiens a paris� Les Italiens a Paris � leh-zee-tah-leeah6666 ah pah-ree � (The Italians in Paris)

Ite missa est � IH-teh MEESS-suh esst � (chant setting in a mass by an anonymous 13th or14th-century composer)

Ito � Ryûta Ito � l’yoooo-tah ee-taw

Its a long way to tipperary � It's a Long Way to Tipperary [tipp-puh-REH-ree]

Iturbi � José Iturbi � ho-SAY ee-TOOR-bee

Iturriberry � Juan José Iturriberry � hooAHN ho-SAY ee-toor-ree-BEHR-ree

Ivan at anastasias bier � Ivan at Anastasia’s Bier � ee-VAHN (at) ah-nah-STAH-zeeahz beer� (excerpt from the film Ivan the Terrible, with music by Sergei Prokofiev [sehr-GAYEE prah-KAW-fiheff]; arranged in the form of an oratorio by Abram Stasevich [ah-BRAHM stah-SAY-vihch])

Ivanov � Georgi Ivanov � gay-AWR-ghee ee-vah-NAWF

Ivanov � Konstantin Ivanov � kahn-stahn-TYEEN ee-vah-NAWF

Ivanov � Mikhail Ippolitov-Ivanov � mee-kahEEL eep-pah-LYEE-tuff-ee-vah-NAWF �(known also as Mikhail Mikhailovich [mee-KAHEE-luh-vihch] Ippolitov-Ivanov) � (thehyphenated last name is sometimes spelled with terminal f’s)

Ivanov � Mikhail Mikhailovich Ivanov � mee-kahEEL mee-KAHIH-luh-vihch ee-vah-NAWF

Ivanov � Nikolai Ivanov � nyee-kah-LAHIH ee-vah-NAWF � (known also as NikolaiKuzmich [kôôz-MIHCH] Ivanov)

Ivanov boretzky � Mikhail Vladimirovich Ivanov-Boretzky � mee-kahEEL vlah-DYEE-mih-ruh-vihch ee-vah-NAWF-bah-RETTZ-kee

Ivanov kramskoi � Aleksandr Ivanov-Kramskoi � ah-lyick-SAHN-d’r ee-vah-NAWF-krahm-SKAWIH

Ivanov radkevitch � Nikolai Ivanov-Radkevitch � nyee-kah-LAHIH ee-vah-NAWF-raht-KAY-vihch

Ivanovici � Ion Ivanovici � yee-AWN ee-vah-naw-VEE-chee

Ivanovs � Janis Ivanovs � YAH-niss IH-vah-nawfss � (in Latvia, this Latvian National wouldbe known as J�nis Ivanovs [YAHAH-niss IH-vah-nawfss])

Ivans appeal to the boyars � Ivan’s Appeal to the Boyars � (ee-VAHNZ (appeal to the)BAW-yurz) � (excerpt from the film Ivan the Terrible, with music by Sergei Prokofiev [sehr-GAYEE prah-KAW-fiheff]; arranged in the form of an oratorio by Abram Stasevich [ah-BRAHM stah-SAY-vihch])

Iveson � J. Iveson � J. ����V-s’n

Ivogun � Maria Ivogün � MAH-rihah IH-vaw-gün

Ivry � Richard d’Ivry � ree-shar dee-vree

Iwaki � Hiroyuki Iwake � hee-law-yook ee-wah-keh

Iwamoto � Marito Iwamoto � mah-lee-taw ee-wah-maw-taw

Iwanof � Mikhail Ippolitof-Iwanof � mee-kahEEL eep-po-LYEE-tawf-ee-vah-NOHF �(known also as Mikhail Mikhailovich [mee-KAHEE-law-vihch] Ippolitof-Iwanof) � (thehyphenated last name is usually spelled with terminal v’s, and the w in Iwanof is usually replacedby v)

Izak � Heinrich Izak � H����N-rihh ee-ZACK � (the last name is also spelled Isaac, Isaak,Yzac, and Ysack)

I Am Leafy Speafing (I Am Leafy) SPEE-fihng) …mediad.publicbroadcasting.net/p/ipr/files/I.pdf · I am leafy speafing I Am Leafy Speafing ... (Bell Chorus from the opera Pagliacci - [PDF Document] (2024)

FAQs

What is the meaning of the opera Pagliacci? ›

Opera Pagliacci by Ruggero Leoncavallo

The title is usually translated as "The Clowns" or "The Players." As an opera, Pagliacci turns real historical events into a fictionalized narrative. Since the play features a troupe of actors, it is sometimes known as the clown opera.

What is the story behind Vesti La Giubba? ›

"Vesti la giubba" is sung at the conclusion of the first act, when Canio discovers his wife's infidelity, but must nevertheless prepare for his performance as Pagliaccio the clown because "the show must go on". The aria is often regarded as one of the most moving in the operatic repertoire of the time.

What is the sad Italian clown called? ›

In “Pagliacci,” as the traveling troupe begins its play, Canio (the clown) is consumed with jealousy because he has overheard his wife, Nedda, plan an assignation with a lover (Silvio), whose identity Canio doesn't yet know.

How does the opera "Pagliaccio" end? ›

As she dies, she calls: "Help! Silvio!" Silvio attacks Canio, but Canio kills him as well. The horrified audience then hears the celebrated final line: "La commedia è finita!!" – "The comedy is finished!"

What is the plot of Pagliacci? ›

Pagliacci was the second of the nine operas by Leoncavallo. In a prologue and two acts that span about an hour's time in performance, it tells the story of an acting troupe led by a jealous man who is ultimately driven to murder his actress wife and her lover.

What kind of opera is Pagliacci? ›

Pagliacci is an Italian verismo-style opera consisting of a prologue and two acts. Tickets available here. Older than Puccini's Gianni Schicchi (which we have paired Pagliacci with), Pagliacci was premièred in 1892 in Milan, when Leoncavallo was still a relatively obscure composer on the Italian opera scene.

Who was the saddest clown in history? ›

Emmett Kelly was a clown widely recognized for his hobo character “Weary Willie.” While most clowns were known for their funny antics, Kelly's sad clown character became popular during the Great Depression because he connected with the many downtrodden and poor people who struggled during this difficult time.

Is Pierrot a sad clown? ›

Pierrot, a diminutive of Pierre (Peter) or Pedrolino as he is known, is the sad clown among one of the most likeable stock characters of pantomime and Commedia dell'Arte.

Who is the most famous sad clown? ›

Summary. Emmett Kelly (1898-1979), pictured here, portrayed the melancholy hobo-clown Weary Willie for the Ringling Bros. and Barnum & Bailey Circus for more than a decade. His act differed from that of the typical jovial clown and made Weary Willie one of the most memorable components of the Ringling Brothers show.

What do you yell at the end of an opera? ›

Applause and ovations

If you really loved the performance, you can jump to your feet, clap and yell out “bravo” at the very end. Want to look like a real aficionado? Yell "brava" (with an A) for the leading ladies.

What does Cavalleria rusticana mean in English? ›

Cavalleria rusticana (pronounced [kavalleˈriːa rustiˈkaːna]; Italian for 'Rustic Chivalry') is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga.

Who tells Alfio his wife is betraying him? ›

Alfio appears, late for Mass. Santuzza tells him that Lola went to church with Turiddu and reveals that she has been cheating on him. In a rage, Alfio swears to get even and rushes off, leaving behind the now conscience-stricken Santuzza.

Who are the lovers in Pagliacci? ›

The villagers gather for the familiar comedy about Pagliaccio and Columbine, in which a man is betrayed by a faithless wife. A tryst between Columbine (played by Nedda) and her lover Harlequin (played by Beppe) is interrupted by Pagliaccio (Canio).

What does the opera represent? ›

All human passions are represented in opera. Love, Tragedy and Death are often at the heart of the plot. The characters, sometimes torn between their feelings and their duty, are confronted with extraordinary situations and are carried away by their heightened feelings.

What does Liberato mean opera? ›

li·​bret·​to lə-ˈbre-(ˌ)tō plural librettos or libretti lə-ˈbre-(ˌ)tē 1. : the text of a work (such as an opera) for the musical theater.

What is the meaning of the opera house? ›

: a theater devoted principally to the performance of operas. broadly : theater.

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